China is an ancient civilization with a history of more than 5,000 years. There are many kinds of handicrafts, and they are all dazzling. Chinese traditional handicraft, each of them is a treasure of Chinese culture, and these handicrafts are worth inheriting and protecting.   1 Tuanshan Tuanshan (团扇), also known as Gongshan (宫扇) and Wanshan (纨扇), is traditional handwork and art of the Han nationality in China. It is a round fan with a handle, which represents a friendly and auspicious reunion. Fans have long circles, plum blossoms, hexagonal and other shapes; and making with silk, thin silk and so on; the craftsmanship includes Suzhou embroidery, Kesi, gold and silver inlays, and so on; the fan handle has wood, bamboo, bones, and so on. A Tuanshan contains too much learning.   2 Cheongsam The cheongsam (旗袍) is one of the traditional women's clothing that can represent Chinese characteristics. The cheongsam was formed in the 1920s, and some scholars believe that its origin can be traced back to the Shenyi of the pre-Qin and Han dynasties. Although its definition and timing are still controversial, it is still one of the most gorgeous phenomena and forms in China's long-standing clothing culture.…

One-third of life is spent on sleeping, and beds play an important role in people's lives. So, what did the bed look like in ancient China? Ancient humans often lived in caves. In order to keep warm, weeds, leaves, and animal skins were spread on the ground, which was roughly the earliest bed. During the Banpo cultural period of the matrilineal society, the prototype of the bed appeared, that is, the Tutai (土台), which is similar to today's kang bed-stove. In "Guangbo Wuzhi", there is such a record: "Shennong invented the bed, and Shaohao made the Kui (篑), and Lu Wang made the Ta (榻)." During the Shang and Zhou dynasties, the prototype of the bed was slowly determined. Compared with our modern beds, the ancient traditional beds had many functions. At night, the ancients slept on the bed, but during the day, they also needed to sit or lie down to rest, so the "Ta (榻, couch)" was invented. The earliest prototype of the couch is the mat. In other words, putting a mat on the ground can sit and lie down. In ancient times, people in northern China generally used grass to make mats, while southerners generally used…

Restoration of lychee wine from 1300 years ago, ancient palace traditional cuisine Chinese sweets dragonbeard, non-stick egg pudding, all of these classic Chinese cuisines making are from the Chinese blogger Jiu Yue / Jiang Xun Qian's videos. Not only traditional cuisine, but also Chinese crafts such as paper kites, fish lanterns, and whisking tea are the subjects of her videos, and she is also the initiator of the previously popular sugar painting challenge.   Focusing on traditional cuisine and crafts "A steed that raised red dust won the fair mistress' smiles; how many steeds that brought litchi died on the run!" 1,300 years ago, the Tang Dynasty's Yang Guifei loved lychee wine very much, and it has also made generations of people yearn for it. What is the taste of lychee wine that made Yang Guifei drunk? The blogger Jiang Xun Qian uses traditional techniques to recreate the taste from the Tang Dynasty, she also put on an opera costume and staged the song "Drunkened Concubine". Not only the lychee wine with the flavor of the Tang Dynasty, Jiang Xun Qian was also made fine as hair Chinese sweets dragon beard, and non-stick egg pudding. All are handmade, restoring the…

The pursuit of beauty is human nature. Beauty is not only a reflection of the mind, but also a reflection of the interest in life. Tang Dynasty women are the best representatives of beauty, because they inherited the mentality of "Dress up for those who like or admire yourself (女为悦己者容)" from ancient times, and pushed the beauty ideal realm to the highest level under the booming economy and the open and tolerant social atmosphere. Lively, dignified, noble, the endless types of Tang Dynasty female hairstyles, paired with exquisite makeup, made many literati and scholars unstinting in their talent to depict the Tang women's style. Let's follow ArtMoment to go back thousands of years ago, and enjoy the beauty of Tang female hairstyles in that remarkable era of spiritedness.   Ancient Hairstyle Tips What are Ji and Huan? The ancient Chinese women's hairstyle is commonly known as Ji Huan (髻鬟, jì huán), and according to the method of combing, there are two types of Ji (髻, jì) and Huan (鬟, huán). Ji, solid hair bun, suitable for ordinary women; Huan, ring-shaped hair bun, suitable for young girls. What does the change of hairstyle mean? In ancient China, a woman's hairstyle changed with…

Brief history on Chinese tool panbo and how it is different in the past when compared to Japanese tasuki.

Chinese style, and traditional culture, has become a necessary element of the Mid-Autumn Festival traditional gala. China Central Television set the site of the Mid-Autumn Festival Gala at Jiyang Lake, where the full moon stage and the bright moon are intertwined. Hunan TV uses giant letterheads to pull out famous paintings of ancient Mid-Autumn themes in the gala, which is a new visual experience. But we can not ignore the most outstanding gala production, Henan TV, as well as the "Adventures of the Mid-Autumn Festival".   01 Mid-Autumn Festival - Reunion The 2022 Henan TV Mid-Autumn Festival Gala revolves around "Shuidiao Getou (水调歌头, poet Su Shi's work)", from which four keys are extracted: missing, healing, reunion and dreaming. https://www.youtube.com/watch?v=xHPeAZUfEaM As the first program to open the show, "Chang'e Flying to the Moon" is highly expected. Henan TV, intends to recreate this fairy who is closely related to the moon. In the usual imagination, the quiet Guanghan Palace has the Jade Rabbit pounding medicine, Wu Gang felling laurel, and only Chang'e fairy, lonely as a beautiful symbol. The moment of amazement and reluctance to flying to the moon seems to have made her whole life. Henan Weiwei refocused its attention on Chang'e,…

There is such a Chinese original animation, which has only been updated for 6 episodes since its broadcast in 2017, but has collected 30 million views. It is Choir of Chinese Poems (中国唱诗班), the first Chinese short animation production, with classic ancient poetry as the main theme of the story and the historical allusions of the scholars as the outline. The animation is entirely original and hand-drawn by a team of Chinese youths, and each episode is less than 25 minutes. The images are beautiful and moody, with strong Chinese colours and a moving storyline that brings to life traditional Chinese ancient poetry.   1 Love Seeds Released on 23 December, 2016. The most popular of all Choir of Chinese Poems episodes is "Love Seeds", about a red bean and a tragic love affair. The young scholar Wang Chutong has been secretly in love with Liuniang since childhood. Hearing that red beans could express love, he sneaked up to the door of the Liuniang and presented a red bean. "This is the red bean from Wang Wei's poems 'Xiang Si'." Liuniang knew exactly what the Wang Chutong was thinking but did not say anything. But after joking, she cooked a…

So now that you’ve learned about all these pieces separately, we arrive at the question: how do we put all of these pieces together? Let’s go over some ways these are usually put together, how to refer to them, and other details that might not have been covered in previous articles. Body, sleeves, collar: these are the main three things that we use to distinguish types of hanfu. In naming conventions, we usually refer to a piece in the order of collar-sleeve-body. Take a look at this image: What body type, sleeve type, and collar type is it? Well, I’ll tell you first that this is a Shan, meaning that it’s a single-layered top or robe shorter than the knees with no yao lan. Take a look at the sleeves—do they curve or change in diameter at all? Yes, they seem to narrow in a striaght line from the root of the sleeve to the cuff, meaning this is a feijixiu design, or airplane sleeve. The collar’s shape is pretty obviously parallel, or duijin, since the two sides come straight down and don’t touch. Well then, we can refer to this as a duijin feijixiu shan: a parallel collar, airplane…

Huaxia dresses brilliantly for thousands of years. How rich is the Chinese traditional wear? Follow the INSTITUTE FOR PLANETS to enjoy a journey through a thousand years of Chinese costumes.   Huaxia Dresses - Prehistory to Shang & Zhou Period Looking back tens of thousands of years ago, human beings learned to sewn clothes with Guzhen (骨针, bone needle). Perhaps inspired by making ropes and bamboo baskets, around 7,000 B.C., Chinese ancestors began to weave fabrics with plant fibers. In order to improve the weaving efficiency, the Fanglun (纺轮, spinning wheel) was created that used pottery sheets to rotate inertial for twisted threads. There is also the Yaoji (腰机, waist machine) that is used to bind lines and make them tight and easy to knit. In that era of extremely backward productivity, it was not easy to get fabric, so the shape of clothes was relatively simple. Two narrow pieces of cloth were directly combined and then tie a straw rope, which may be the daily dress. With the continuous development of society, the function of clothing has long been more than just covering up and keeping warm, it has also been endowed with a lot of aesthetic concepts, which is…

"Collar" refers to not only the area of a piece of clothing around the neck, but also the fabric below that. Since hanfu is almost always constructed of two pieces of fabric that aren't fully connected at the front, and put on like a jacket, collar also refers to ways that these two piece of fabric connect once the piece is on your body.   交領/交领/jiao1 ling3/Crossed Collar Probably the first type of collar that you’ll see—the crossed collar, or jiaoling. This collar consists of two overlapping pieces and is usually secured with two to three ties, with a thicker or contrasting border along the edge of each piece. It’s almost always right over left, or if you think about it in terms of how to put it on, you tie the left ties before you tie the right ties. The result is a y-shaped collar when viewed from the front. Ming dynasty people may have done it the other way, as well as various non-Han groups and clothes put on the deceased at funerals, but it’s generally a good rule of thumb to follow right over left. as it’s one of the most important cultural concepts in hanfu. These…

In 2013, the TV series "Legend of Lu Zhen" hit the air, and the story of Lu Zhen's promotion from an ordinary palace maid to a high-level female official attracted many people's attention. Are you also curious about the history of ancient Chinese female officials? Let's talk about it today.   Pre-Zhou Dynasty Women were already involved in political activities as early as the pre-Zhou Dynasty. The Classic of Poetry records that a significant leader of the Zhou family, King Tai of Zhou, who coordinated the move of the capital, and his wife, Tai Jiang (太姜), who was responsible for surveying the location of the new capital. The wife of Wu Ding (武丁, Shang dynasty King), Fuhao (妇好), also had an outstanding performance in the activities of the outer court. According to historical records, she once led 3,000 troops to conquer the Qiang (羌) and returned with complete victory. It was the highest number and scale of military campaigns in the current oracle bone recorded during the reign of Wu Ding.   Zhou Dynasty The Western Zhou Dynasty was the earliest period in which the texts related to "female officials" were recorded in the existing testable materials. According to the…

As one of the main composition elements of hanfu tops and robes, sleeves can have a lot of variation. They mostly fall into a couple categories that we have recovered historical artifacts from, though a lot of manufacturers end up with some variation in their patterns. Today we’ll go over a whole ten sleeve types, a bit of historical context, and some of the variations they can go through. Before we get into that, though, let’s go over a little basic information that applies to (almost) all hanfu sleeves. One of the defining characteristics of the hanfu is the 接袖/接袖/jie1 xiu4/sleeve connection. What this means is that the sleeve is not connected to the body of the top or robe at the shoulder, but at a point partway down the upper arm, with the body of the clothing and part of the arm being made up of one piece of fabric, and the rest of the sleeve of another. These are stitched together to create the whole sleeve. The rest of the sleeve is also made of one piece of fabric both front and back, folded over the top and stitched together at the bottom. Some exceptions to this are…

The construction of the body of most hanfu tops and robes is what usually decides what ’type’ of hanfu it is. We’ll go over a few common types of hanfu and what features they have. There are, however, a few rules that pretty much all hanfu tends to follow: First, there’s always a seam down the middle of the back, meaning that the piece of clothing is made up of one piece of fabric on the left and one on the right, stitched together in the center. There’s also never a seam at the shoulder like we have in modern clothing—instead of the front and back being two different pieces of fabric, the front and back are made up of the same piece, just folded over the shoulder. Another thing to note is that while we often refer to tops and robes in hanfu as the two main categories, that isn’t how hanfu is really categorized, just a way for us to talk about the shape of things in English. Instead, we have the 長/长/chang2/long versions and 短/短/duan3/short versions of clothing, which can be applied to most categories of clothing that we separate by construction—the only difference is length. Short…

First installment of the Hanfu in Components series is up! As a reminder, if you haven’t already, check out the introductory article to best find out how to use this guide, otherwise some things might not make sense to you. If you’ve done that already, charge on forward! To kick off the series, this is a brief article explaining how exactly we’re going to break down hanfu into its basic components. We’re still in the introductory stages here, but bear with me and we’ll get to the fun stuff soon.   WHAT MAKES HANFU, HANFU? What defines 漢服/汉服/han4 fu2/hanfu? What sets it apart from everyone else? How do we know when something is truly hanfu, as opposed to hanfu-inspired? These questions can be kind of scary when you first look at them, scared of making a mistake—don’t worry, it’s actually pretty simple! First, we should understand that hanfu isn’t just something that we derived off of paintings and imperial dramas. Every type of hanfu that we have today was recovered as a rotting piece of cloth that we dug up from the ground, studied by historians and made into clothing patterns (‘pattern’ refers the shape of the fabric pieces and…

With oriental mythology as the base to interpret the magnificent three realms, the traditional cultural core to build a solid humanistic heritage, the traditional Chinese intangible cultural heritage elements perfectly mixed into the scene creation, the oriental fantasy romance cdrama "Love Between Fairy and Devil" through the new world view, the audience can totally experience what is the immersive oriental cultural imagination. "Love Between Fairy and Devil (苍兰诀)" is a costume fantasy cdrama starring Yu Shu Xin and Dylan Wang, with Xu Hai Qiao and Cristy Guo in special roles. The drama is adapted from the novel of the same name by Jiu Lu Fei Xiang, which tells the story of a sweet and sadistic love story between the fairy Xiao Lan Hua and the Moon Goddess Dong Fang Qing Cang, who accidentally swap bodies. The drama aired on August 7, 2022. The Xi Lan family was exterminated, the goddess of Xishan, Xiao Lan Hua, was protected by the clan and was reborn as a low-level fairy in the heavens after ten thousand years, and she accidentally resurrected the Moon Goddess Dong Fang Qing Cang who was trapped in the Haotian Tower. To gain freedom, Dong Fang Qing Cang has…

In ancient China, there was no tap water, no washing machines, and no cleaning products such as laundry detergent, so how did ancient people launder hanfu and daily care for it?   Ancient laundry hanfu supplies: soap 1.1: Zhou Dynasty - plant ash soap In modern life, soap is the most basic of laundry clothing. However, soap was also used as a cleaning agent to wash clothes in ancient time. Ancient soap was made from "plant ashes", which is the residue of burning plants (herbs and woody plants). It was used to make soap because it was easy to get and store. The ash contains many mineral elements, including potassium carbonate, which removes stain. In the Book of Rites, a document reflecting the history and culture of the Zhou Dynasty, it is written that when the hatband and clothes were dirty, they were washed with plant ashes. “冠带垢，和灰清漱；衣裳垢，和灰请澣。” 1.2: Qin Dynasty - plant ash & shell ash soap During the Qin Dynasty, soap was further upgraded with the addition of a substance called "shell ash". The ash produced by burning shells, when mixed with plant ashes, produces potassium hydroxide, a strong alkali. To make silk soft and white, the ancients…

Kesi (缂丝), the most traditional type of silk weaving in the Chinese silk industry, which is highly appreciated for its decorative qualities. Kesi is a kind of pattern with warp and weft, forming a pattern border, with the effect as if was carved, and rich two-sided three-dimensional sense of silk crafts. The knitting technique of Kesi is different from the embroidery and brocade. Suzhou Kesi painting is also known as the "Four Great Weavers" of China, along with Hangzhou silk painting, Yongchun paper painting and Sichuan bamboo curtain painting. The Kesi technique has appeared many times in the collection of ancient costume dramas, such as the delicate Kesi fans in the hands of the concubines of “Story of Yanxi Palace”, adding endless style to them. The another drama “Marvelous Women” which take the Qing Dynasty as the background, has restored the weaving scene of the Kesi.   The Uniqueness of Kesi Different from the weaving method of Song brocade, Shu brocade, cloud brocade which are woven through the warp and weft. Kesi with raw silk as the warp, a variety of colorful cooked silk threads for the weft, which are dug and woven by the method of passing through the…

Not a week later and I'm back again with the details on our even larger, even longer hanfu outing just last weekend on Saturday, August 13th! You can check out our absolutely PHENOMENAL photographer this time at @Ryfucius on Instagram, he was incredibly dedicated and we couldn't have done it without him. Inspired by the fun we had on the East Coast New England outing, Yulan and I decided to plan a second outing for our SF Bay Area friends on the West Coast too. This time with a party of 14 and a whole day's time, our itinerary was expanded to include multiple photo locations and a karaoke session at the end of the day—and hey, I got to participate this time! Our first stop was the Golden Gate Park in San Francisco, a beautiful park with a lot of natural beauties. Our main target location was the Chinese Pavilion, an incredible work of archtiecture gifted to San Francisco by Taiwan. With a pointed roof and some enchanting carvings in the pillars and benches surrounding the pavilion, it was a perfect spot for a group photo as well as a lot of solo shots. We couldn't waste the rest…

Earlier, Liu Yifei's new costume drama "A Dream of Splendor" was aired, and after 16 years Liu Yifei's acting in a costume drama has gained extraordinary popularity and attention. Liu Yifei has always been called the goddess of costume drama, in "A Dream of Splendor", she acted as Zhao Pan'er, seemingly soft and unsupported, but actually intelligent and powerful, with independent and beautiful femininity. Despite Liu Yifei's appearance has not changed, but her temperament is more introspective and tough, beautiful with power, and Zhao Paner's persona also fits better. In addition to Liu Yifei, we will introduce you to several other costume drama goddesses in this article, who are known to the audience for their high-quality costume drama roles.   Liu Yifei (Crystal Liu) Liu Yifei's costume drama masterpieces: A Dream of Splendor (2022) Return of the Condor Heroes (2006) Chinese Paladin (2005) Demi Gods & Semi Devils (2003) Liu Yifei's first costume drama is the Demi Gods & Semi Devils in 19 years ago, she starred in the role of Wang Yuyan. This is undoubtedly a successful role, and even the original author Jin Yong has written a message for her: "Miss Liu, with you as Wang Yuyan, readers will…

Youku's pending fantasy drama "Till The End of The Moon" returns to the online game style and moves towards a new design direction. Not wanting the confusion of costume shapes in period-specific costume dramas, these dramas that pursue traditional Chinese costume forms such as "The Longest Day In Chang'an" and "Royal Feast" were also well received by the audience. In the newly launched drama projects, even the emotional-based ancient costume idol dramas, have begun to try their best to choose a style in line with today's hanfu culture in the design of clothing. Looking back on Chinese ancient costume dramas, in addition to the antique classic stylings in the audience's impression, such as "Journey to the West" and "Dream of the Red Chamber", there are also some pioneering, trendy, and bold ancient costume styles time. The stylings design of ancient costume dramas has great styles and aesthetic differences due to different themes and story backgrounds. This article will review the styling history of Chinese costume dramas from the two types of fairy chivalrous and realistic retro, combined with hairstyle, hair accessories, and clothing.   01 Evolution of Xianxia hairstyle In the early ancient costume dramas, there was no concept of "XianXia (仙侠)". "Xian"…