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Explore the Ancient Hanfu Pibo: the Draped Shawl
At a recent event, actress Zhou Ye (周也) stunned in a shawl draped in a way reminiscent of her character in Scent of Time (为有暗香来). This sparked a wave of admiration online: “Who knew a shawl could be worn like this? Fashion truly transcends time!” Indeed, the various ways modern shawls are styled bear a striking resemblance to the classical pibo (披帛) of ancient China. While today’s shawls come in a variety of materials and styles, their role in enhancing an outfit remains unchanged. And just like in ancient times, there’s more than one way to wear them. The Evolution of Draped Elegance The concept of draping fabric over the shoulders dates back thousands of years. As early as the Wei and Jin dynasties, terracotta figurines depicted women wearing short, wide scarves known as 帔 (pei) or 披 (pi). These early forms of pibo were not just functional but also stylish, much like modern scarves. A poetic reference from the Southern and Northern Dynasties describes a woman’s elegance: "Her step-shaking hairpin sways, and the red edges of her pei flutter." By the Tang Dynasty, the pibo had evolved into a long, narrow accessory, becoming an essential part of women’s fashion.… -
The Revival of Authentic Child Hairstyles in Period Dramas
A Shift Towards Historical Accuracy For years, historical dramas have enchanted audiences with their lavish costumes, intricate sets, and grand storytelling. However, one aspect often overlooked is the accuracy of children’s hairstyles. Many period dramas have traditionally styled young characters with adult-like hairdos, giving them a "miniature adult" appearance that lacks the playful authenticity of childhood. Recently, however, a shift has begun, and productions like Jia Ye (家业), Flourished Peony (国色芳华), and Joy of Life (庆余年) are finally embracing historically accurate child hairstyles, leading viewers to exclaim: "So this is what ancient children really looked like!" The Evolution of Child Hairstyles in Ancient China Ancient Chinese children's hairstyles were far from uniform; they evolved through different stages as the child grew. Similar to modern times, children in historical China had distinct hair grooming traditions, beginning with shaved heads in infancy, moving to partially grown and styled hair, and eventually progressing to more formal hairstyles in adolescence. The idea that children must wear miniature versions of adult hairstyles is a modern misconception that certain period dramas are now correcting. Infancy: The Shaved or Minimal Hair Phase In early childhood, many children had their heads shaved regularly to promote hair growth, a… -
How Hanfu is Shaping Modern Trends in 2024
Hanfu, the traditional clothing of the Han Chinese, has experienced a remarkable resurgence. What was once a niche interest among history enthusiasts and cultural purists has now blossomed into a full-blown fashion movement. By 2024, the Hanfu market is not just thriving—it’s evolving, adapting, and influencing modern fashion in ways that few could have predicted a decade ago. The Hanfu Phenomenon The Hanfu revival isn’t just about clothing; it’s a cultural statement. Rooted in over 3,000 years of history, Hanfu represents more than just aesthetics—it’s a symbol of identity and heritage. In 2024, this traditional attire has found its way into the wardrobes of a diverse audience, from young students to working professionals, and even international fashion enthusiasts. The driving force behind this resurgence? A combination of government support, cultural pride, and the rise of China-chic (国潮). Policies promoting traditional culture, such as the "14th Five-Year Plan for the Development of Chinese Traditional Culture," have played a significant role in boosting public interest. Events like China Huafu Day (中国华服日) and Huazhao Festival (花朝节) have further cemented Hanfu’s place in contemporary culture, turning it into a symbol of national pride. The Market Boom: Numbers Don’t Lie The numbers speak for themselves.… -
Festivals & Hanfu: A Seasonal Style Guide
Ancient Chinese wisdom distilled clothing choices into simple truths: light robes for summer, padded jackets for winter. But look closer, and you’ll find a nuanced system—24 solar terms (节气), 72 micro-seasons (物候), and festivals each demanding specific colors and motifs. This wasn’t just practicality; it was a silent dialogue between humans and the rhythms of nature.. Chapter 1: Lunar New Year (春节) The tradition of wearing new clothes for the Lunar New Year is widespread in Chinese culture. Regardless of social class, people are expected to wear their finest attire to usher in the new year. For officials and those of higher status, formal ceremonial clothing is a must. The colors of these garments—red, blue, yellow, white, and black—offer a range of options, but certain traditions guide their use. White is typically worn for mourning, red symbolizes celebration, and yellow was reserved for emperors after the Tang Dynasty. Red, blue, and black are more common, with red standing out as a symbol of prosperity, joy, and good fortune. Throughout the New Year festivities, red decorations such as firecrackers, lanterns, and spring couplets (春联) fill the environment, creating an atmosphere of happiness and festivity. Red has become the hallmark of wealth… -
The Cloak: Style vs. Practicality in Historical and Modern Dramas
If there’s one thing historical dramas love, it’s a good cloak. Flowing, dramatic, and effortlessly elegant, the cloak has become a staple in costume design, draping over generals, scholars, and noblewomen alike. But as striking as they look on screen, one can’t help but wonder—do these cloaks actually keep anyone warm? Take Nirvana in Fire (琅琊榜) as an example. The protagonist, Mei Changsu (梅长苏), spends most of his time wrapped in thick fur-lined cloaks, yet somehow, he always looks like he’s one chilly breeze away from freezing solid. Viewers have joked that he must have succumbed to hypothermia long before the series’ dramatic conclusion. So what’s the deal? Are these cloaks truly as impractical as they seem, or is there more to their historical evolution? Cloaks in Costume Design Cloaks have long been favored by costume designers for their cinematic effect. They add movement to a character, create an air of mystery, and make even the most unassuming figure look imposing. In Nirvana in Fire, Mei Changsu’s fur-lined cloaks emphasize his frailty while still giving him an air of quiet authority. But do these garments serve their intended function, or are they just glorified fashion statements? The answer, unfortunately, leans… -
A Glimpse Into The Mangpao in The Glory
The opulent red gown worn by the character of Empress Miao in the historical drama The Glory (雁回时) has left viewers in awe. With its vibrant crimson hue, intricate details, and dramatic silhouette, it conjures up images of Dream of the Red Chamber (红楼梦), especially the scene where the imperial consort visits the imperial court in a ceremonial outfit. Could it be a nod to a regal garment from the Ming Dynasty, the mangpao (蟒袍), a dress that exudes both power and ceremony? The outfit Miao Guifei (苗贵妃) wears in The Glory isn't just any costume—it's an interpretation of the mangpao, a traditional Ming Dynasty ceremonial gown typically worn by high-ranking officials and imperial family members. The gown’s structure is a perfect balance between grandiosity and elegance, characterized by its round collar, long robe length, and the iconic mang (蟒) dragon motif embroidered onto the fabric. The mangpao was often reserved for the most important occasions, worn by figures of the highest stature, such as empresses or consorts. In the case of Miao Guifei, the attire suggests not only her high rank but her formidable presence—no wonder viewers felt like this was more than just a royal entrance; it had… -
Why Costume Dramas Has Same Clothes?
If you've seen the stills of costume dramas like Moyu Yunjian and For the Sake of the Hidden Fragrance, you'll notice that director Yu has a particular preference for one type of clothing style: the shirt and skirt ensemble. It's the most common style in traditional Chinese clothing and also the easiest to mass - produce and replicate. It's like wearing hundreds of different - colored shirts. Can you really not get aesthetically tired of it? Styles of Shirt and Skirt The upper part of the shirt and skirt can be in the styles of cross - collar, front - closing, or shallow cross - collar. The lower skirt is usually a split skirt or a pleated skirt. Simply put, if you change the fabric and color of the upper shirt and the lower skirt respectively, it counts as a new set of clothes. The dynasties when the shirt and skirt were most popular were the Tang and Song dynasties. The styles of the shirt and skirt in these two periods were different. In the Tang Dynasty, the skirt was tied high to the chest, showing a luxurious and noble style. In the Song Dynasty, the skirt returned to the… -
A Date with Hanfu in the Spring Breeze
On March 29, 2025, as the 'Spring Festival Elder' Luoxia Hong from Langzhong and famous lyricist Fang Wenshan jointly opened the door, the 2025 Langzhong Hanfu Festival grandly kicked off at the Chengqing Gate in Langzhong Ancient City, Sichuan. The event, themed 'Roaming in Langzhong with Hanfu, Spreading the Glory of Chinese Culture', attracted thousands of Hanfu enthusiasts from all over the country to gather in Langzhong Ancient City for the 'Dynasty Carnival'. It was a feast that allowed people to glimpse the beauty of Hanfu across thousands of years. The term 'tongpao' refers to contemporary Hanfu lovers. At 9:30 a.m., the 'Spring Festival Elder' Luoxia Hong, dressed in Hanfu and holding a celestial globe, started the event, accompanied by the dance of twenty - four flower fairies. Various phalanxes, including those representing the Han, Three Kingdoms, Tang, Song, and Ming dynasties, as well as wedding, twelve flower fairies, intangible cultural heritage peddler, Hanfu merchant, parent - child, public, and flag phalanxes, paraded in turn. More than 1,000 Hanfu enthusiasts, with delicate makeup and elegant accessories, showed the classical and elegant beauty of Hanfu to the fullest. The 'Dynasty Carnival' was based on China's excellent historical culture, with elements such… -
Qingdao's Ronghua Aunts Bring Traditional Crafts into Fashion
The national trend has swept through the streets, and one can always catch two distinct charms in the fluttering skirts - the qipao is as graceful as an ink - colored peony, while the Hanfu unfolds like a landscape painting. This is not just a choice of clothing but a profound exploration of how Eastern aesthetics can thrive. Time - honored Codes in Stitches Qipao: A Poetic Declaration of Body Awakening In 1920, on Shanghai's Avenue Joffre, tailors used a copper ruler to measure the contours of the new era. The improved qipao tightened its wide sleeves, locked a bit of reserve with a standing collar, yet revealed a hint of allure through its side slit. The women in gossamer - silk qipaos in Eileen Chang's works walked on the Bund in high - heels, and each step echoed the call for freedom on the cobblestones. Today's silk qipaos still shine. Craftsmen at the Hangzhou Silk Museum have embedded Suzhou - embroidered peonies into the texture of acetate fiber, allowing ancient craftsmanship to blossom on modern fabrics. Hanfu: A Contemporary Narrative of a Thousand - year - old Civilization At the foot of the Xi'an City Wall, girls in cross… -
How Did Caoxian Become the Center of Hanfu Industry?
Caoxian: The Rising Star in the Hanfu Industry Caoxian was once well - known for producing dance costumes and photography studio clothing. In recent years, the Hanfu industry has emerged as a new cultural calling card, and now Caoxian has become the 'cosmic center' of China's Hanfu industry. From its humble beginnings to continuous growth, transformation, and rapid rise, Caoxian's Hanfu has won the favor of countless Hanfu enthusiasts with its unique charm and exquisite craftsmanship. It has become a leader in the national Hanfu market, leading the trend of the Hanfu industry. Walking into Daji Town in Caoxian, you can feel a strong Hanfu cultural atmosphere. In the streets of Sunzhuang Village in Daji Town, busy Hanfu entrepreneurs can be seen everywhere. Among them, there are former photography studio photographers, housewives, and newly - graduated college students. It is these entrepreneurs who have opened a new chapter in Caoxian's Hanfu industry with their wisdom and courage. The Evolution of Caoxian's Clothing Industry In the 1990s, the clothing industry in Sunzhuang Village, Caoxian, quietly started, mainly producing photography studio clothing and dance costumes. At that time, clothing enterprises gradually gained a foothold in the market with their exquisite craftsmanship and… -
Must-Watch Chinese Anime: Renegade Immortal 2025
When the opening theme of the anime hit 230 million views on Bilibili, this cultivation anime adapted from the novel of the same name by author Er Gen is setting off a new wave in the Chinese anime field. Different from, which tells a story of a commoner's counter - attack, the cultivation world constructed in is a philosophical maze about “Going with the flow makes one ordinary; going against it makes one a celestial being”. The animation production team, with top - notch production that burns millions per second, has pioneered a new paradigm of Eastern cultivation aesthetics in the field of 3D animation. The Dimensional Leap of Cultivation Narrative The visual translation of the original text in the anime is amazing. When Wang Lin was practicing in the Hengyue Sect, the production team used particle effects to construct the trajectory of spiritual energy flow, transforming the originally abstract text description into a visual energy map. When the protagonist uses the “Extinction Finger”, the ink - style shockwaves bloom layer by layer in the 3D space. This visual deconstruction of cultivation skills gives traditional Xianxia (仙侠) elements a cyber - punk future sense. In terms of character creation, the… -
A Hanfu Class in Chengdu City
In the long history of the ancient Chinese land, China enjoys the great reputation of being the “Country of Elegant Attire”, the “Land of Beautiful Costumes”, and the “State of Etiquette”, all of which are closely related to Hanfu. In modern life, Hanfu is not an everyday outfit. We can often see it only in large - scale traditional celebrations, exquisite photo shoots, and ancient - costume TV dramas. So, what kind of etiquette connotations are hidden behind Hanfu, which carries thousands of years of culture? Let's explore the profound world of Hanfu culture to find the answer. Hanfu, the traditional clothing of the Han ethnic group with a millennium - long inheritance, is based on the essence of the Four Books and Five Classics and has followed the traditions in the Records of Carriages and Attire for thousands of years. The ceremonial robes have always adhered to the etiquette norms with few major changes over time. On the other hand, the daily clothing of the common people has become increasingly diverse as time goes by. As the unique traditional ethnic clothing of the Han people, Hanfu has a history of more than 4,000 years. Nourished by the wisdom and… -
Tang Yan Made Another Hit in Costume Drama
As March is almost over, the domestic drama market has reversed its downturn and become increasingly lively. The drama When Yan Returns premiered suddenly and quickly climbed to the top of the national heat list. The suspense drama The Chess Player, in which Wang Baoqiang starred after a 12 - year hiatus, also received a lot of positive feedback. These two dramas are already dark - horses, but the real highlight is yet to come. The Unparalleled Nian took the top spot on the hot list right after its premiere. Initially, people thought it was just another old - fashioned and bad (xianxia drama, a genre of Chinese fantasy drama), but after binge - watching 6 episodes, they were hooked. It seems that there's going to be a new hit in the xianxia drama genre! 1. Outstanding Plot and Stunning Visuals The Unparalleled Nian tells the story of Ji Tanyin (played by Tang Yan), the unparalleled goddess, who is entrusted by the heaven to retrieve the divine artifact "The Left Hand of God" from Yuan Zhong (played by Liu Xueyi), the great priest of the Youhu Clan. The two go from scheming against each other to falling in love and… -
Japanese & Korean Tourists Flock to Shanghai for Hanfu Photoshoot
On Ninghui Road in Yu Garden Mall, Kaede from Tokyo, Japan, and her friend are experiencing Hanfu photography in Yu Garden. As spring arrives, the 2025 Shanghai Yu Garden Mid - Spring Flower Festival has kicked off, attracting numerous Chinese and foreign tourists. According to the news from Yu Garden Mall, starting from the Mid - Spring Flower Festival, the upgraded Huancai Yu Garden Light Show combined with Chinese - style performances has officially launched. During this flower festival, accompanied by five sets of Chinese - style music, Yu Garden will use the core buildings in the central square, Nine - Bend Bridge, and Golden Square as the background to present a spring flower scene with dynamic floodlights. Recently, when the reporter visited Yu Garden, it was found that at nightfall, the dynamic lights in the garden blended with the flower scene and Chinese - style performances, swaying gracefully. Whether on Ninghui Road, known as the "ceiling of Chinese aesthetics", or in the central square and Golden Square where Chinese - style dances and ancient music are performed irregularly, tourists in Hanfu can be seen everywhere. Regardless of nationality and language, they not only integrate with the immersive Chinese -… -
Chen Duling Wears a Velvet Blue Warring States Robe
Chen Duling (陈都灵) is an actress with a rare ancient charm. In the past, she outshone Bai Lu (白鹿) in every aspect. Ancient costumes are very demanding on body conditions. Especially for tall and slender women, they look very charming, fully embodying the temperament of the ancients. However, they are not friendly to those with a poor body - proportion and a five - five split figure. Although they can cover up their body flaws, the difference is obvious when standing together. This is why Chen Duling outshone Bai Lu in Long Moon Embracing the Star, and Bai Lu was even labeled as an ordinary - looking woman. This time, Chen Duling is stunningly beautiful in Qin - Han Hanfu. She suits these figure - flattering and fate - filled costumes, including some Song - style and Wei - Jin - style Hanfu. The Qin - Han hairstyles are quite simple. Most of them are loose hair with wisps of hair left at the temples, making the person look delicate and vulnerable. Coupled with willow - leaf eyebrows, the image of a gentle and helpless beauty emerges. However, Chen Duling's eyes are sharp. Although she looks like an innocent little… -
Tang Yan's First Ancient-Style Photo Shoot
At 41, Tang Yan has challenged an ancient-style photo shoot for the first time. Soon, we'll also see her last ancient-costume drama. At this age, it's no longer suitable for her to play in ancient idol dramas. Tang Yan, if you're being kidnapped, just blink. She managed to break free from the label of an ancient idol drama actress and upgrade to a serious drama actress because of the drama The Longest Day in Shanghai. Acting in an ancient idol drama again will easily make her a target of ridicule. In ancient idol dramas, we look for handsome men and beautiful women. Although Tang Yan takes good care of herself, her age is still quite obvious. If she gets mocked, it'll be hard for her to recover. We hope she has good luck this time; otherwise, it'll damage her newly-established image. This is Tang Yan's first ancient-style photo shoot, and she's currently the only one among the 85-generation actresses to do so. It's full of a sense of sophistication and is different from those cheap Hanfu photo shoots, instantly raising the bar. Tang Yan's outfit is a collision between modern and ancient styles. A high-end blue feather dress paired with… -
Chen Xiaoyun Attends Sohu Event, Wearing Hanfu with a Graceful Updo
Who says ancient - style beauties can only be gentle and delicate? Chen Xiaoyun's Chinese - style look is simply cool and beautiful. Her blue - and - gold Hanfu look at the Sohu Video Chinese Style Gala really amazed the whole audience! Previously, people always thought Hanfu should be in delicate pink colors. However, Chen Xiaoyun's look completely overturned this traditional impression. A Hanfu interwoven with dark blue and gold is both noble and grand. Paired with an exquisite updo, every gesture of hers fully shows the charm of Eastern aesthetics. Honestly, this look has fully released her aura! Remember, she always gave people a cool feeling in "Sisters Who Make Waves 3". This time, wearing Hanfu, she added a bit of classical beauty. Especially in the shot where she was strolling among the pavilions, with her calm expression, there was really a kind of heroism of "Who says women are inferior to men". Have you noticed? Her makeup this time was also very particular. It was neither overly gaudy nor simply pursuing a light look, perfectly matching the overall style of the Hanfu. The details of the eye makeup were especially amazing, having both the charm of ancient… -
The Ultimate Chengdu Travel Guide - International Travelers
Chengdu, China's "Land of Abundance," is more than just the hometown of giant pandas. This 2,300-year-old city in Sichuan Province is a living museum of Han Dynasty relics, UNESCO-listed cuisine, and a gateway to Tibet's eastern foothills. For International Travelers fascinated by China's history, spirituality, and culinary arts, Chengdu offers an immersive blend of ancient traditions and cosmopolitan energy. Let's unlock your perfect trip! Visa & Entry: Stress-Free Arrival 144-Hour Visa-Free Transit Citizens from 53 countries (including the US, UK, Canada, and EU nations) can enjoy Chengdu's 144-hour visa-free policy when transiting through Chengdu Shuangliu International Airport. Requirements: Valid passport (6+ months). Onward flight ticket to a third country/region within 144 hours. Restricted travel area: Chengdu, Leshan (Giant Buddha), Ya'an (panda base), and select cities. Pro Tip: Avoid Jiuzhaigou Valley—it's outside the visa-free zone. Regular Tourist Visa (L Visa) For longer stays or broader travel plans, apply for a China Tourist Visa at your local embassy. Processing takes 4–7 days. You can apply for this at your nearest Chinese embassy or consulate. The process typically requires your passport, a completed application form, a recent photo, and proof of your travel itinerary and accommodation bookings. Some nationalities may also need to… -
When Digital Native Kids Crave Retro Childhoods
In a village square in Shandong province, 11-year-old Huang Ruoxi stomps her feet with precision, sending reverberations through a set of drums arranged like celestial constellations. Her round cheeks flushed pink, two buns tied atop her head, she performs the Pan Drums Dance (盘鼓舞)—a 2,000-year-old Han Dynasty drum dance nearly lost to history. Meanwhile, 1,000 kilometers north in Hebei, 8-year-old Gao Haoran channels the spirit of Eastern Han storytellers, his comically exaggerated facial expressions and thunderous Martial Drumming (武鼓) drawing comparisons to China's iconic 2nd-century Shuochang Yong (说唱俑, Speaking and Singing Figurines). These children—dubbed "retro kids" by Chinese netizens—are sparking a cultural reckoning. Amid a sea of Gen Alpha peers glued to TikTok clones and mobile games, they've become unlikely ambassadors for traditions stretching back millennia. Social media floods with comments: "She's stepped straight out of a textbook illustration!" and "This kid's vibe is so…pre-2010s!" The phenomenon reveals a generational paradox. While China's youth are often stereotyped as digital natives addicted to virtual worlds, a growing cohort is reviving folk arts through school programs, family legacies, and yes—viral videos. UNESCO reports a 37% increase in China's intangible cultural heritage apprentices under 18 since 2020. From dragon dances in Guangdong to… -
Three Generations Breathing Life into China's Bottled Masterpieces
How a Brush Transforms Glass into Art In the quiet corners of Zibo (淄博) City's Boshan District, Shandong Province, an 81-year-old master named Zhang Guangzhong bends over a worktable, his hands steady as he guides a hair-thin brush through the narrow mouth of a snuff bottle. Inside this "bean-sized" aperture, mythical beasts gallop across miniature landscapes, and 500 arhats (Buddhist saints) gather in silent contemplation—all painted in reverse. This is the elusive craft of Lupai Neihua (鲁派内画), or Shandong-style inner-bottle painting, a national intangible cultural heritage that turns humble glass vessels into portals to China's artistic soul. For Zhang, this ritual is more than a vocation—it's a lifelong meditation. Since 1964, when he joined Boshan Art Glass Factory's inner-bottle painting division, he has spent over 60 years refining his technique under masters like Zhang Wentang and Xue Jingwan. Unlike Western miniature painters who work on flat surfaces, Lupai artists must visualize their compositions backward, their brushstrokes defying gravity as they paint on the inner walls of bottles. The tools themselves are marvels: custom-made brushes with curved bamboo handles and resilient weasel-hair bristles, designed to navigate the glass labyrinth. Zhang's works, such as Hundred Beasts and Five Hundred Arhats, are celebrated…