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Dior has once again incorporated Chinese velvet flower craftsmanship into its designs, this time on a brimless cap showcased at Paris Fashion Week. This move, while seen as a tribute to Chinese aesthetics, has reignited discussions about cultural appropriation and the importance of preserving traditional Chinese crafts. Velvet flowers, known as Ronghua (绒花) in Chinese, have a rich history dating back centuries. Initially popularized during the Tang and Song dynasties, these intricate silk flowers became a staple in both imperial courts and folk traditions. Their use in festivals, weddings, and daily adornment reflects the Chinese love for floral symbolism and auspicious meanings. Historically, velvet flower production flourished in cities like Nanjing and Yangzhou, where silk waste from brocade manufacturing provided ample material. Artisans developed regional styles: southern Ronghua favored bold colors, while northern versions leaned towards dignified hues like imperial red. Modern challenges face this traditional craft. While appearing in period dramas and international events like the Winter Olympics has revived interest, mass-produced alternatives threaten the survival of authentic handmade Ronghua. Each genuine piece still requires ten meticulous steps over two days of labor-intensive work. The Dior controversy highlights a broader issue: as global brands increasingly adopt Chinese elements, domestic…

With the recent announcement of China's sixth batch of national intangible cultural heritage inheritors, Guangdong has become a focal point, with 58 individuals recognized for their dedication to preserving arts like Guangdong Lion Dance (广东醒狮), Cantonese Opera (粤剧), and Chaozhou Opera (潮剧). Among these honorees are practitioners of some of China's most enigmatic folk traditions—Nuó Dance (傩舞), Qilin Dance (麒麟舞), and Panwang Festival (盘王节). Each of these embodies the resilience of Chinese folk culture, preserving both its mystical essence and regional identity. But what cultural significance do they hold? How do their inheritors sustain them in modern times? Let's step into the world of these mesmerizing traditions. Nuó Dance: A Ritual Frozen in Time "Nuó Dance is deeply rooted in our village's traditions. It has been passed down for generations, and everyone, from elders to children, participates with enthusiasm," says Peng Qiusheng, a newly recognized national inheritor from Jiuxian Village (旧县村) in Zhanjiang (湛江). Nuó (傩), an ancient ritual performance, traces its origins back to the Zhou Dynasty (西周). It was initially a shamanistic practice to ward off evil spirits and seek divine blessings for favorable weather and bountiful harvests. Over centuries, it evolved into a dramatic art form encompassing…

In the midst of London's bustling underground, commuters may stumble upon something unexpected—Chinese poetry. Among the verses that quietly accompany passengers through their daily commutes is a piece by the renowned poet Bei Dao (北岛): I am you a stranger on the sidetracks Waiting for the season to harvest blades of light Sending letters though tomorrow has no address This excerpt comes from Bei Dao's latest autobiographical long poem, The Crossroads Journey (歧路行). It has recently been selected for Poems on the Underground, a project founded by writer Judith Chernaik at University College London. The initiative places poetry—both classic and contemporary, from poets worldwide—inside the city's subway carriages, offering a moment of reflection amid the urban rush. Poetry Beneath the Streets According to the Transport for London website, displaying poetry in the Underground aims to make commutes more uplifting and inspiring. Over the years, the project has featured works from well-known literary figures and emerging voices alike. The selected poems are not just displayed on trains but have also been compiled into a published collection, Poems on the Underground. Bei Dao's presence in the Underground is not new. In the 1980s, his poem Drawing (画), written for his daughter, Tian…

When Xu Tiantian (徐甜甜) became the first Chinese architect to win the Wolf Prize in Arts in 2025, the global architecture community turned its gaze eastward. Her triumph, closely following Liu Jiakun's (刘家琨) 2025 Pritzker Prize win, marks a watershed moment: China's "site-specific architecture" movement is no longer a regional phenomenon but a blueprint for global architectural paradigms Xu's transformation of a 1,500-year-old Zhejiang quarry into the ethereal Huangyan Grotto Theater (黄岩窟艺术剧场)—where visitors now traverse suspended walkways past Ming Dynasty carvings to attend avant-garde performances—epitomizes this shift. Similarly, Liu's West Village Complex in Chengdu, a labyrinthine concrete ecosystem buzzing with street food vendors, skateboarders, and pop-up galleries, reimagines urban space as a living organism rather than a static monument. These projects defy the starchitect era's obsession with iconic silhouettes, instead prioritizing what Liu calls “architecture as social acupuncture”—a philosophy now resonating from Burkina Faso to Buenos Aires. The Three Codes of "Genius Loci" Design Cultural Palimpsests, Not Copy-Paste Heritage The duo's work transcends superficial "Chinoiserie." At Liu's Suzhou Imperial Kiln Museum, Ming Dynasty ruins emerge like fossilized dragons from cast-concrete walls. Xu's Zhejiang Shicheng Music Hall, carved into a cliffside where dynastic stonemasons once labored, uses algorithmically optimized steel frames…

On March 29, 2025, as the 'Spring Festival Elder' Luoxia Hong from Langzhong and famous lyricist Fang Wenshan jointly opened the door, the 2025 Langzhong Hanfu Festival grandly kicked off at the Chengqing Gate in Langzhong Ancient City, Sichuan. The event, themed 'Roaming in Langzhong with Hanfu, Spreading the Glory of Chinese Culture', attracted thousands of Hanfu enthusiasts from all over the country to gather in Langzhong Ancient City for the 'Dynasty Carnival'. It was a feast that allowed people to glimpse the beauty of Hanfu across thousands of years. The term 'tongpao' refers to contemporary Hanfu lovers. At 9:30 a.m., the 'Spring Festival Elder' Luoxia Hong, dressed in Hanfu and holding a celestial globe, started the event, accompanied by the dance of twenty - four flower fairies. Various phalanxes, including those representing the Han, Three Kingdoms, Tang, Song, and Ming dynasties, as well as wedding, twelve flower fairies, intangible cultural heritage peddler, Hanfu merchant, parent - child, public, and flag phalanxes, paraded in turn. More than 1,000 Hanfu enthusiasts, with delicate makeup and elegant accessories, showed the classical and elegant beauty of Hanfu to the fullest. The 'Dynasty Carnival' was based on China's excellent historical culture, with elements such…

At 34, Li Yitong (李一桐) wears a Guanyin veil and Dunhuang-style Hanfu, looking like a dancing elf in the wind. With such good looks, she is truly cut out for ancient idol dramas! Li Yitong became well - known for her role in My Half - Fairy Princess. Her beauty combines sweetness with a touch of innocent allure, different from the typical delicate - flower appearance. Many people say she has an under - the - radar star quality, as none of her works have achieved huge popularity. However, everyone knows her, and she has a good rapport with the audience. Although she is in her 30s, her face still looks young, like a little girl, which doesn't seem out of place in her roles. Her recent ancient costumes have really taken people by surprise. Compared with her peers, Li Yitong takes good care of her face. Her eyes are full of sparkle, so she has no problem playing young girls. However, she was criticized for her performance in The Knockout, indicating that she may not be suitable for mature and intellectual roles. The Guanyin veil is a commonly seen headpiece in recent ancient dramas. Usually, we see short or…

Recently, Xiamen University Tan Kah Kee College held the "Our Festival • Huachao" event on the lake - heart island in the campus. The event was bustling with people, featuring activities such as flower - viewing, arrow - throwing, riddle - guessing, and club exhibitions. The golden trumpet tree forest on the island was in full bloom, and teachers and students came together to embrace the spring. The Huachao Festival, also known as the "Flower God Festival" or commonly referred to as the "Birthday of All Flowers", was once one of the "Eight Festivals of the Year" along with the Lantern Festival, Dragon Boat Festival, Mid - Autumn Festival, and Double Ninth Festival. It is usually celebrated in the second lunar month. During the Tang Dynasty, the Huachao Festival and the Mid - Autumn Festival were collectively called "Huachao Yuexi" and were extremely popular. The Flower God Ceremony was one of the highlights of the event. Members of the Hanzhihua Zhang Hanfu Club wore the Hanfu representing the twelve "Flower Gods". Led by Zhu Yingbei, the deputy dean of the School of Humanities and Communication, they completed the offering ceremony following the procedures in Zhou Li • Chun Guan, recreating…

On Ninghui Road in Yu Garden Mall, Kaede from Tokyo, Japan, and her friend are experiencing Hanfu photography in Yu Garden. As spring arrives, the 2025 Shanghai Yu Garden Mid - Spring Flower Festival has kicked off, attracting numerous Chinese and foreign tourists. According to the news from Yu Garden Mall, starting from the Mid - Spring Flower Festival, the upgraded Huancai Yu Garden Light Show combined with Chinese - style performances has officially launched. During this flower festival, accompanied by five sets of Chinese - style music, Yu Garden will use the core buildings in the central square, Nine - Bend Bridge, and Golden Square as the background to present a spring flower scene with dynamic floodlights. Recently, when the reporter visited Yu Garden, it was found that at nightfall, the dynamic lights in the garden blended with the flower scene and Chinese - style performances, swaying gracefully. Whether on Ninghui Road, known as the "ceiling of Chinese aesthetics", or in the central square and Golden Square where Chinese - style dances and ancient music are performed irregularly, tourists in Hanfu can be seen everywhere. Regardless of nationality and language, they not only integrate with the immersive Chinese -…

On March 26 local time, the Chinese animated film "Ne Zha: Reborn from Fire" ("Ne Zha 2") officially premiered in Belgium. On the opening night, the cinema hall in Brussels was packed with audiences. Many viewers said that although they had heard that the film was excellent, its actual quality still exceeded their expectations. According to the local cinema, the version of "Ne Zha 2" currently showing in Belgium is with English subtitles. Starting from mid - April, a version with French subtitles will be available, which is expected to attract more local audiences.

Who says ancient - style beauties can only be gentle and delicate? Chen Xiaoyun's Chinese - style look is simply cool and beautiful. Her blue - and - gold Hanfu look at the Sohu Video Chinese Style Gala really amazed the whole audience! Previously, people always thought Hanfu should be in delicate pink colors. However, Chen Xiaoyun's look completely overturned this traditional impression. A Hanfu interwoven with dark blue and gold is both noble and grand. Paired with an exquisite updo, every gesture of hers fully shows the charm of Eastern aesthetics. Honestly, this look has fully released her aura! Remember, she always gave people a cool feeling in "Sisters Who Make Waves 3". This time, wearing Hanfu, she added a bit of classical beauty. Especially in the shot where she was strolling among the pavilions, with her calm expression, there was really a kind of heroism of "Who says women are inferior to men". Have you noticed? Her makeup this time was also very particular. It was neither overly gaudy nor simply pursuing a light look, perfectly matching the overall style of the Hanfu. The details of the eye makeup were especially amazing, having both the charm of ancient…

In a village square in Shandong province, 11-year-old Huang Ruoxi stomps her feet with precision, sending reverberations through a set of drums arranged like celestial constellations. Her round cheeks flushed pink, two buns tied atop her head, she performs the Pan Drums Dance (盘鼓舞)—a 2,000-year-old Han Dynasty drum dance nearly lost to history. Meanwhile, 1,000 kilometers north in Hebei, 8-year-old Gao Haoran channels the spirit of Eastern Han storytellers, his comically exaggerated facial expressions and thunderous Martial Drumming (武鼓) drawing comparisons to China's iconic 2nd-century Shuochang Yong (说唱俑, Speaking and Singing Figurines). These children—dubbed "retro kids" by Chinese netizens—are sparking a cultural reckoning. Amid a sea of Gen Alpha peers glued to TikTok clones and mobile games, they've become unlikely ambassadors for traditions stretching back millennia. Social media floods with comments: "She's stepped straight out of a textbook illustration!" and "This kid's vibe is so…pre-2010s!" The phenomenon reveals a generational paradox. While China's youth are often stereotyped as digital natives addicted to virtual worlds, a growing cohort is reviving folk arts through school programs, family legacies, and yes—viral videos. UNESCO reports a 37% increase in China's intangible cultural heritage apprentices under 18 since 2020. From dragon dances in Guangdong to…

What Makes a Hero? Heroes, as the Chinese saying goes, are "the unyielding spine that never bends with time"—a force that courses through the blood of mountains and rivers, igniting generations with its fervor. This eternal inquiry lies at the heart of Qin Yin (琴吟), a hauntingly powerful ballad released in March 2024 as part of a collaborative project by China National Radio and NetEase Cloud Music. More than a song, it is a bridge spanning millennia, weaving the valor of Jin Dynasty (晋朝) generals Zu Ti (祖逖) and Liu Kun (刘琨) into a modern anthem that asks: How does heroism shape a civilization's soul? Set against the backdrop of China's Spring Equinox—a time of renewal—Qin Yin emerges as both a tribute and a challenge. Its lyrics, penned like ink brushed onto silk, retrace the footsteps of two fourth-century warriors whose camaraderie and sacrifice became legend. Through ethereal zither melodies and thunderous orchestral swells, the song distills their spirit into a single refrain: "Let the zither's notes be our ink; together, we'll paint the rivers and mountains of Huaxia." But why resurrect these figures now? In an era of fleeting digital trends, Qin Yin dares to anchor itself in China's…

A New Way to Witness Spring's Palette As spring paints China's landscapes in vibrant hues, travelers are trading traditional flower-viewing strolls for a thrilling alternative: low-altitude aerial sightseeing. Leading this trend is Chengdu, the capital of Sichuan Province, where "blossom chasing" now happens hundreds of meters above ground. According to Meituan data, searches for "low-altitude flower tours" and "aerial adventures" surged by 645% year-on-year in March 2025, with Chengdu topping the national rankings, followed by Shenzhen, Shanghai, Hangzhou, and Beijing. The city's golden rapeseed flower fields, stretching like sunlit carpets across its outskirts, have become a magnet for thrill-seekers and nature lovers alike. Visitors like Zhao Mei, a tourist from Guangdong, exemplify the craze. Despite waiting five hours due to airspace restrictions at Luodai's Sichuan Instant Flight Club, she emerged from her 10-minute helicopter ride exhilarated. "Seeing the flowers merge with the rivers and mountains from above—it's like stepping into a living ink painting," she said. The experience isn't just about speed; it's a sensory revelation. Pilots adjust flight patterns based on passenger preferences—zooming dramatically over ridges for adrenaline junkies or gliding gently for elderly guests. "The landscape transforms as you ascend," explained Zhang Linjian, the club's operations director. "Fields…

When world leaders stepped onto the global stage at the 2014 APEC Summit in Beijing, their attire transcended mere diplomatic protocol. The "New Chinese Attire" (新中装) became an instant cultural phenomenon—a sartorial manifesto that bridged millennia of craftsmanship with 21st-century innovation. This meticulously curated wardrobe did more than clothe dignitaries; it reintroduced the world to Jiangnan's textile heritage while sparking a "Guofeng" (国风) revival that continues to shape China's contemporary fashion identity. Today, as traditional techniques like Su embroidery (苏绣) and Song brocade (宋锦) find fresh relevance in streetwear and haute couture, the South China Museum's exhibition Splendid Jiangnan: The Golden Age of Chinese Textile Art (锦绣江南——中国传统织绣工艺的巅峰创造) revisits this pivotal moment, unpacking how six iconic APEC ensembles became catalysts for cultural reinvention. From Imperial Workshops to Global Runways The Yangtze River Delta's Jiangnan (江南) region, long celebrated as the cradle of Chinese textile excellence, has cultivated textile arts for over 2,000 years. During the Ming and Qing dynasties, Suzhou's embroidery ateliers and Nanjing's brocade looms supplied the imperial court with fabrics so exquisite they were deemed "cloth woven by clouds." Yet by the late 20th century, many of these crafts faced extinction, preserved only in museum archives or practiced by…

A Historic Corridor Goes Cashless In March 2025, Beijing unveiled a game-changer for international travelers: the Beijing Central Axis Barrier-Free Payment Service Tourism Demonstration Zone. Stretching 7.8 kilometers and encompassing 15 UNESCO World Heritage sites—from the Forbidden City to the Temple of Heaven—this historic corridor is now a testing ground for seamless, globally inclusive payment solutions. A collaboration between China UnionPay, Visa, and Beijing's tourism authorities, the project aims to transform Beijing into "China's top destination for inbound tourism" by erasing payment headaches for foreign visitors. The timing couldn't be better. In 2024, Beijing welcomed 3.94 million international tourists, a 186.8% surge from the previous year, fueled by expanded visa-free policies and infrastructure upgrades. Yet, payment barriers persisted: only 30% of small merchants accepted foreign cards in 2023. Now, the Central Axis initiative tackles this with a "big swipes, small scans, cash backup" strategy, ensuring tourists can pay as they do at home—whether swiping a Visa card at a 600-year-old tea house or scanning a QR code for augmented-reality historical tours. Two Game-Changing Devices Launching in March Beijing's payment revolution just got smarter with two groundbreaking innovations rolling out in March 2025: The "Travel Pass" Pocket Companion This pocket-sized device—lighter…

On March 10, 2024, Beijing's China Craft & Art Museum and China Intangible Cultural Heritage Museum unveiled their most ambitious showcase yet: the 7th China Contemporary Craft Art Biennale. Titled "Epochal Ingenuity", the exhibition spotlights over 720 pieces of contemporary craftsmanship—from intricate jade carvings to avant-garde glass sculptures—crafted by 809 artisans across 31 provinces. Walking through the galleries, visitors encounter a bronze teapot etched with AI-generated fractal patterns, silk embroideries depicting urban skylines, and lacquerware fused with recycled tech components. One standout piece: a ceramic installation by 38-year-old artist Zhang Yue, who reimagined Tang Dynasty tri-color glazes using 3D-printed textures to critique digital-age isolation. Who's Shaping China's Craft Renaissance The biennale's roster reads like a who's who of China's creative vanguard: National Heritage Guardians: Like 72-year-old Su Xiu master Yao Huifen, whose embroidered scroll "A Thousand Threads of the Yangtze" took three years to complete. Provincial Innovators: Such as Yunnan's Li Jia, who blends Bai ethnic tie-dye with neon pigments for psychedelic wall hangings. Academic Pioneers: Tsinghua University's Prof. Wang Lin leads a team experimenting with nanotech-infused cloisonné. Notably, 45% of exhibitors are under 40—a shift from previous editions. Jiangsu-based metalworker Chen Hao, 28, exemplifies this new wave. His series…

In the words of a 9th-century Dunhuang scribe: "The winds of the Silk Road may fade, but the dance of the mural endures." Let Silk Road’s timeless tales stroke you like the Flower Rain. A Dance That Transcends Time When the curtain rises on Silk Road Flower Rain (丝路花雨), audiences are not merely watching a performance—they are stepping into history. For 45 years, this groundbreaking dance drama has enchanted the world, weaving together the artistry of Dunhuang's (敦煌) murals, the spirit of the Silk Road, and the universal language of human connection. As it prepares to grace the stage of Guangzhou's Friendship Theatre on April 18–19, 2024, the production reaffirms its status as a cultural titan, one that breathes life into ancient tales. Since its 1979 debut in Lanzhou, Silk Road Flower Rain has transcended borders, performing over 4,000 times across 40 countries, from the grand theaters of Paris to the historic stages of Kyoto. Its accolades—"the living Dunhuang murals (敦煌壁画)," "China's answer to Swan Lake"—speak to its unparalleled fusion of myth, movement, and music. At its heart lies a story as old as the Silk Road itself: the bond between a Dunhuang painter, Shen Bi Zhang (神笔张); his daughter…

China's strongest kids in the street dance scene The roar of the crowd at Paris' Bercy Arena was deafening. Under the bright lights of the 2025 Juste Debout World Street Dance Finals, spectators from around the world held their breath as two young Chinese dancers took the stage. But what followed was unlike anything seen before. Ten-year-old Song Haoming from Jiangsu and twelve-year-old Fu Junxi from Guangxi were about to make history. Blending the fluidity of Tai Chi with the explosive energy of Shaolin whirlwind kicks (少林旋风腿), they performed an electrifying routine that seamlessly fused traditional Chinese martial arts with contemporary street dance. With every precise movement—whether the open-handed elegance of Drunken Fist (醉拳) or the controlled power of Southern Fist (南拳)—they shattered expectations, redefining the boundaries of urban dance. In a competition where age holds no restrictions, the duo's "martial arts street dance" stunned audiences and led them past two foreign teams into the final four—an unprecedented achievement for Chinese contestants. Online reactions exploded: "Are all Chinese kids born as Jackie Chan?" "Chinese artistry is always mesmerizing!" "This dance was mesmerizing—I absolutely love it!" Meanwhile, Chinese netizens celebrated their success, dubbing them "China's strongest kids" in the street dance…

In the historical drama Sijin (似锦), actress Jing Tian (景甜) has been spotted wearing the same hairstyle repeatedly, with only minor changes in accessories. This has sparked a wave of online commentary, with fans jokingly asking, “Is this hairstyle permanently glued to her head?” But what is the story behind this iconic look, and why has it become such a staple in Chinese historical dramas? The Origins of the Double-Ring Immortal Chignon The hairstyle in question is known as the shuanghuan Wangxian ji (双鬟望仙髻), or “Double-Ring Immortal Chignon.” It evolved from the simpler Shuanghuan ji (双环髻), a traditional hairstyle for young girls. Over time, its ethereal beauty made it a favorite in depictions of celestial beings and noblewomen, earning it a place in classical Chinese art and literature. For instance, the Admonitions of the Nymph of the Luo River (洛神赋图) and the Eighty-Seven Immortals Scroll (八十七神仙卷) both feature this hairstyle, cementing its association with grace and divinity. Its popularity in art and culture has made it a timeless choice for characters who embody elegance and otherworldly charm. A Hairstyle Through the Ages The Double-Ring Immortal Chignon has undergone several transformations throughout history. During the Wei, Jin, and Southern and Northern…

Carmen Lee (李若彤), the actress best known for her iconic role as the "Dragon Girl" in Return Of The Condor Heroes (神雕侠侣), has once again captured the public’s attention—this time, not for her acting, but for her breathtaking appearance in Hanfu, traditional Chinese clothing. At 58, Lee’s grace and poise have left fans in awe, proving that true beauty transcends age. Whether in modern attire or ancient garments, she exudes a blend of elegance and strength that continues to inspire. A Perfect Match for Song Dynasty Style Lee’s recent Hanfu looks draw inspiration from the Song Dynasty, a period renowned for its understated yet sophisticated fashion. Her outfits typically feature a cross-collar blouse paired with pleated skirts, a classic combination that reflects the refined taste of noblewomen from that era. The addition of a pibo (披帛, a long silk scarf) adds a touch of fluidity and grace, enhancing the overall aesthetic. Her makeup, reminiscent of the Tang and Song dynasties’ Feixia style (飞霞妆), involves a light layer of rouge topped with white powder, creating a delicate, rosy glow. This technique, also seen in Liu Yifei’s (刘亦菲) portrayal in A Dream of Splendor (梦华录), complements warm skin tones beautifully, making it…

If there's a place that embodies the essence of a Chinese spring, it's Wuyuan (婺源)—a picturesque county in Jiangxi Province, crowned by National Geographic as "China's Most Beautiful Countryside" and celebrated for its 100,000-acre seas of golden rapeseed flowers. From mid-March to April, this region transforms into a living watercolor painting, where mist-shrouded Hui-style villages, emerald hills, and vibrant blooms create a scene straight out of a Tang Dynasty poem. Here's your ultimate guide to experiencing Wuyuan's spring magic. The Golden Heart of Wuyuan: Huangling and Jiangling Perched at 500 meters above sea level, Huangling (篁岭) is a 500-year-old village famed for its "ladder to the clouds" terraced fields. In spring, its slopes blaze with golden rapeseed blossoms, creating a cascading tapestry that merges with the village's iconic "Sky Street"—a cobblestone path lined with traditional Hui architecture and artisan shops412. Don't miss the 300-meter-high glass walkway or the cable car ride offering a bird's-eye view of this floral spectacle. Jiangling's (江岭) 10,000-acre terraced fields are a UNESCO-listed marvel and one of China's "Four Great Spring Flower Seas". At dawn, the interplay of mist, sunlight, and golden blooms frames the whitewashed villages below, evoking an oil painting. Pro tip: Hike to…

Suzhou's famed classical gardens are undergoing a digital renaissance. Leading this transformation is the Humble Administrator's Garden (拙政园), which, in collaboration with tech giant Meituan, has introduced a suite of digital services aimed at enhancing the visitor experience. Established over five centuries ago, the Humble Administrator's Garden is a UNESCO World Heritage site renowned for its exquisite design that epitomizes traditional Chinese garden aesthetics. In February 2025, recognizing the evolving needs of global travelers, the garden's administration entered into a strategic partnership with Meituan. This alliance aims to seamlessly integrate digital solutions into the cultural tourism sector, offering services such as virtual reality (VR) tours, multilingual mini-programs, and smart ticketing systems. One of the standout features of this collaboration is the "Garden Tour" mini-program. Accessible via smartphones, it provides services in multiple languages, including English, Korean, and Japanese, catering to the diverse influx of international visitors. This initiative not only simplifies the ticketing process but also offers rich, interactive content about the garden's history, architecture, and flora, allowing visitors to engage deeply with the site, whether on-site or remotely. Digital Innovations Enriching Visitor Experiences The integration of digital technology into Suzhou's classical gardens is not an entirely new endeavor. As…

The melodic strains of an ancient lyre filled the halls of the Jinsha Site Museum in Chengdu (成都金沙遗址博物馆) as the highly anticipated exhibition, Ancient Greece: Myth, Heroes, and Fate—Treasures from the Puglia Region of Italy, made its grand debut. Part of the museum's renowned World Civilizations series, this exhibition marks the first major showcase of ancient Greek culture in Sichuan and the inaugural stop of its China tour. With over a third of the artifacts on display making their first-ever appearance in Asia, the event offers a rare glimpse into the grandeur of Greek antiquity. This extraordinary encounter between two ancient civilizations—Ancient Shu (古蜀), a key pillar of early Chinese culture, and Ancient Greece, the bedrock of Western civilization—invites visitors to explore both their striking contrasts and unexpected similarities. Through an immersive journey across history, mythology, and art, the exhibition highlights the shared human experience that transcends geographical and temporal divides. Myths and Gods: A Shared Fascination Greek mythology has profoundly influenced Western thought for centuries, shaping literature, philosophy, and the arts. This exhibition brings visitors face-to-face with some of the most iconic figures in Greek lore, including Poseidon, ruler of the seas; Demeter, goddess of the harvest; and Athena,…

As the crisp air of early spring sweeps across the vast plains of Inner Mongolia, a breathtaking sight unfolds—herds of Mongolian gazelles, known as "huangyang" (黄羊) in Chinese, gracefully bounding across the grasslands of New Barag Right Banner in Hulunbuir. Their golden coats shimmer under the sunlight as they leap and play, embodying the untamed vitality of the wilderness. The Mongolian gazelle is a species that has long roamed the steppes of China, Mongolia, and parts of Russia. Classified as a national first-class protected animal in China and listed on the IUCN Red List, these agile creatures are integral to the fragile ecosystem of the semi-arid plains. In recent years, conservation efforts have fostered a promising resurgence in their population, a testament to the delicate balance between human activity and nature's resilience. Protecting the "Spirits of the Steppe" For centuries, the Mongolian gazelle has been revered as the "spirit of the steppe," a symbol of the untamed beauty of the grasslands. However, habitat loss and poaching once posed significant threats to their survival. In response, local authorities and conservationists have undertaken a series of robust ecological measures, ensuring a safer environment for these majestic animals. The implementation of rotational grazing…