Wear Hanfu

Why didn't the high-waisted hanfu skirts (齐胸裙) worn by people in the Tang Dynasty fall down? This kind of skirt didn't have elastic bands or other similar measures. Did it rely on large breasts to stay up? Could it really stay in place without falling? The Principle of Skirt Fixation As we all know, in the Sui and Tang Dynasties of China's clothing history, the waistline of skirts became popular to move up. The current popular way of wearing it is called "high-waisted". As the name suggests, since it is worn on the chest and the high-waisted skirts we often see don't have shoulder straps, the force can only go downward. Then the chest must bear the necessary pressure. Let's think in a more straightforward way. We know that a skirt won't fall when tied around the waist because the waist is like a mortise and tenon structure. As long as it is tied tightly enough to prevent the waistline from slipping, you rarely see a wrapped skirt falling off unless it isn't tied properly. Similarly, for high-waisted skirts, as long as the tying part is tightened, you can jump around without the skirt falling. Fabric and Design Considerations Of…

At a recent event, actress Zhou Ye (周也) stunned in a shawl draped in a way reminiscent of her character in Scent of Time (为有暗香来). This sparked a wave of admiration online: “Who knew a shawl could be worn like this? Fashion truly transcends time!” Indeed, the various ways modern shawls are styled bear a striking resemblance to the classical pibo (披帛) of ancient China. While today’s shawls come in a variety of materials and styles, their role in enhancing an outfit remains unchanged. And just like in ancient times, there’s more than one way to wear them. The Evolution of Draped Elegance The concept of draping fabric over the shoulders dates back thousands of years. As early as the Wei and Jin dynasties, terracotta figurines depicted women wearing short, wide scarves known as 帔 (pei) or 披 (pi). These early forms of pibo were not just functional but also stylish, much like modern scarves. A poetic reference from the Southern and Northern Dynasties describes a woman’s elegance: "Her step-shaking hairpin sways, and the red edges of her pei flutter." By the Tang Dynasty, the pibo had evolved into a long, narrow accessory, becoming an essential part of women’s fashion.…

Ancient Chinese wisdom distilled clothing choices into simple truths: light robes for summer, padded jackets for winter. But look closer, and you’ll find a nuanced system—24 solar terms (节气), 72 micro-seasons (物候), and festivals each demanding specific colors and motifs. This wasn’t just practicality; it was a silent dialogue between humans and the rhythms of nature.. Chapter 1: Lunar New Year (春节) The tradition of wearing new clothes for the Lunar New Year is widespread in Chinese culture. Regardless of social class, people are expected to wear their finest attire to usher in the new year. For officials and those of higher status, formal ceremonial clothing is a must. The colors of these garments—red, blue, yellow, white, and black—offer a range of options, but certain traditions guide their use. White is typically worn for mourning, red symbolizes celebration, and yellow was reserved for emperors after the Tang Dynasty. Red, blue, and black are more common, with red standing out as a symbol of prosperity, joy, and good fortune. Throughout the New Year festivities, red decorations such as firecrackers, lanterns, and spring couplets (春联) fill the environment, creating an atmosphere of happiness and festivity. Red has become the hallmark of wealth…

If you've ever watched a historical drama and wondered how anyone in those flowing, oversized sleeves could manage to go about their daily life—let alone eat, fight, or even use the restroom—you're not alone. The sight of characters gracefully strolling through scenes, their sleeves billowing out like sails, can seem a bit comical at times. But are these oversized sleeves a true reflection of ancient attire, or just a modern cinematic effect designed for flair? Understanding the "Big Sleeve" in Historical Fashion The term "wide sleeves" or "broad sleeves" has become almost synonymous with traditional Chinese clothing, especially in popular depictions of Hanfu in historical dramas. But here's the first thing to clarify: this feature is not a universal characteristic of all Hanfu garments. Instead, it’s a defining element of the ceremonial or formal robes, often worn by people of high social status, such as royalty or high-ranking officials. The expansive sleeves were meant to highlight the wearer’s identity, power, and elegance, signaling a person’s nobility or importance. Outside of official events or ceremonies, though, everyday clothing was designed for practicality, not drama. The oversized sleeves often seen in TV shows are a more recent trend driven by visual aesthetics,…

As a history enthusiast and frequent viewer of period dramas, I’ve noticed a troubling trend: even well-received shows often stumble when it comes to historical accuracy in costumes. Ming Dynasty in 1566 (大明王朝1566), a political drama lauded for its intricate plot and acting, is no exception. Despite its sky-high ratings, the series fails to accurately portray Ming-era official attire—a surprising misstep given the wealth of surviving records and artifacts from the period. Historical Accuracy vs. Creative Liberties The drama revolves around court politics, featuring emperors, ministers, and bureaucrats. Ming official clothing, meticulously documented in texts like the History of Ming, leaves little room for ambiguity. Yet the show’s costume design strays far from reality. Take the officials’ headwear, for example. The odd, box-like crowns worn by characters resemble a simplified version of the Longjin (笼巾), a ceremonial headpiece reserved for nobility—not regular officials. According to the History of Ming, the Longjin was part of formal court attire (chaofu, 朝服) worn during grand ceremonies. It included intricate accessories like jade or gold cicadas, pheasant feathers, and layered silk bands. Yet in the show, the design feels cheap and anachronistic—closer to a generic “ancient official” costume bought in bulk for low-budget productions.…

If there’s one thing historical dramas love, it’s a good cloak. Flowing, dramatic, and effortlessly elegant, the cloak has become a staple in costume design, draping over generals, scholars, and noblewomen alike. But as striking as they look on screen, one can’t help but wonder—do these cloaks actually keep anyone warm? Take Nirvana in Fire (琅琊榜) as an example. The protagonist, Mei Changsu (梅长苏), spends most of his time wrapped in thick fur-lined cloaks, yet somehow, he always looks like he’s one chilly breeze away from freezing solid. Viewers have joked that he must have succumbed to hypothermia long before the series’ dramatic conclusion. So what’s the deal? Are these cloaks truly as impractical as they seem, or is there more to their historical evolution? Cloaks in Costume Design Cloaks have long been favored by costume designers for their cinematic effect. They add movement to a character, create an air of mystery, and make even the most unassuming figure look imposing. In Nirvana in Fire, Mei Changsu’s fur-lined cloaks emphasize his frailty while still giving him an air of quiet authority. But do these garments serve their intended function, or are they just glorified fashion statements? The answer, unfortunately, leans…

If you spotted a character in a historical drama twirling in a pink, pleated dress and thought, Wow, that looks surprisingly modern, you're not alone. The outfit in question, featured in The Glory (雁回时), closely resembles a contemporary flared dress, but it actually belongs to a category of Ming Dynasty garments known as tieli (贴里). This style, along with the similar yesa (曳撒), reflects a fascinating blend of influences, practicality, and visual appeal—so much so that modern designers could easily take inspiration from it. Tieli vs. Yesa: Not Just for Women At first glance, tieli and yesa might look like elegant, structured dresses, but in the Ming Dynasty, they were primarily worn by men. Both originated under the influence of Yuan-Mongol styles but were later adapted into Han Chinese fashion. The key difference? Yesa features a smooth front panel known as a Mamian (马面), while tieli is characterized by full pleats from top to bottom. These structured garments were designed for mobility, making them popular choices for officials, scholars, and even military figures. While women occasionally wore these garments, it was often as part of cross-dressing trends in dramas or plays, where they took on male roles. Today, it’s not…

The opulent red gown worn by the character of Empress Miao in the historical drama The Glory (雁回时) has left viewers in awe. With its vibrant crimson hue, intricate details, and dramatic silhouette, it conjures up images of Dream of the Red Chamber (红楼梦), especially the scene where the imperial consort visits the imperial court in a ceremonial outfit. Could it be a nod to a regal garment from the Ming Dynasty, the mangpao (蟒袍), a dress that exudes both power and ceremony? The outfit Miao Guifei (苗贵妃) wears in The Glory isn't just any costume—it's an interpretation of the mangpao, a traditional Ming Dynasty ceremonial gown typically worn by high-ranking officials and imperial family members. The gown’s structure is a perfect balance between grandiosity and elegance, characterized by its round collar, long robe length, and the iconic mang (蟒) dragon motif embroidered onto the fabric. The mangpao was often reserved for the most important occasions, worn by figures of the highest stature, such as empresses or consorts. In the case of Miao Guifei, the attire suggests not only her high rank but her formidable presence—no wonder viewers felt like this was more than just a royal entrance; it had…

On Ninghui Road in Yu Garden Mall, Kaede from Tokyo, Japan, and her friend are experiencing Hanfu photography in Yu Garden. As spring arrives, the 2025 Shanghai Yu Garden Mid - Spring Flower Festival has kicked off, attracting numerous Chinese and foreign tourists. According to the news from Yu Garden Mall, starting from the Mid - Spring Flower Festival, the upgraded Huancai Yu Garden Light Show combined with Chinese - style performances has officially launched. During this flower festival, accompanied by five sets of Chinese - style music, Yu Garden will use the core buildings in the central square, Nine - Bend Bridge, and Golden Square as the background to present a spring flower scene with dynamic floodlights. Recently, when the reporter visited Yu Garden, it was found that at nightfall, the dynamic lights in the garden blended with the flower scene and Chinese - style performances, swaying gracefully. Whether on Ninghui Road, known as the "ceiling of Chinese aesthetics", or in the central square and Golden Square where Chinese - style dances and ancient music are performed irregularly, tourists in Hanfu can be seen everywhere. Regardless of nationality and language, they not only integrate with the immersive Chinese -…

Chen Duling (陈都灵) is an actress with a rare ancient charm. In the past, she outshone Bai Lu (白鹿) in every aspect. Ancient costumes are very demanding on body conditions. Especially for tall and slender women, they look very charming, fully embodying the temperament of the ancients. However, they are not friendly to those with a poor body - proportion and a five - five split figure. Although they can cover up their body flaws, the difference is obvious when standing together. This is why Chen Duling outshone Bai Lu in Long Moon Embracing the Star, and Bai Lu was even labeled as an ordinary - looking woman. This time, Chen Duling is stunningly beautiful in Qin - Han Hanfu. She suits these figure - flattering and fate - filled costumes, including some Song - style and Wei - Jin - style Hanfu. The Qin - Han hairstyles are quite simple. Most of them are loose hair with wisps of hair left at the temples, making the person look delicate and vulnerable. Coupled with willow - leaf eyebrows, the image of a gentle and helpless beauty emerges. However, Chen Duling's eyes are sharp. Although she looks like an innocent little…

When world leaders stepped onto the global stage at the 2014 APEC Summit in Beijing, their attire transcended mere diplomatic protocol. The "New Chinese Attire" (新中装) became an instant cultural phenomenon—a sartorial manifesto that bridged millennia of craftsmanship with 21st-century innovation. This meticulously curated wardrobe did more than clothe dignitaries; it reintroduced the world to Jiangnan's textile heritage while sparking a "Guofeng" (国风) revival that continues to shape China's contemporary fashion identity. Today, as traditional techniques like Su embroidery (苏绣) and Song brocade (宋锦) find fresh relevance in streetwear and haute couture, the South China Museum's exhibition Splendid Jiangnan: The Golden Age of Chinese Textile Art (锦绣江南——中国传统织绣工艺的巅峰创造) revisits this pivotal moment, unpacking how six iconic APEC ensembles became catalysts for cultural reinvention. From Imperial Workshops to Global Runways The Yangtze River Delta's Jiangnan (江南) region, long celebrated as the cradle of Chinese textile excellence, has cultivated textile arts for over 2,000 years. During the Ming and Qing dynasties, Suzhou's embroidery ateliers and Nanjing's brocade looms supplied the imperial court with fabrics so exquisite they were deemed "cloth woven by clouds." Yet by the late 20th century, many of these crafts faced extinction, preserved only in museum archives or practiced by…

In the golden age of historical dramas, off-the-shoulder costumes were a staple, often resembling an ancient version of a "deep V." These bold designs captivated audiences with their dramatic flair, but as modern productions strive for greater historical accuracy, such outfits have largely vanished from the screen. Were these revealing styles ever rooted in historical reality? And what led to their decline in contemporary storytelling? The Historical Roots of Off-the-Shoulder Fashion Contrary to the sensationalized portrayals in early historical dramas, ancient Chinese fashion was far more conservative. While certain artworks, such as the murals in the Xu Xianxiu Tomb (徐显秀墓) or figurines from the Wei and Jin dynasties, might suggest the existence of off-the-shoulder attire, these depictions are often misinterpreted. In reality, such outfits were layered with undergarments, ensuring modesty even with a slightly exposed neckline. For instance, during the Northern and Southern Dynasties, a style known as Daxiu ru (large-sleeved robes, 大袖襦) gained popularity. This design featured wide sleeves and a deep neckline, but it was always paired with a circular undergarment or Liangdang (a type of vest, 裲裆) to cover the shoulders. The result was a look that revealed only the collarbone at most—far from the exaggerated "shoulder-baring"…

In the world of historical dramas, few details are as iconic as the sight of characters tying their wide sleeves before engaging in combat. This simple yet practical act, often seen in childhood favorites, is more than just a stylistic choice—it’s a reflection of ancient Chinese ingenuity and functionality. From battlefields to everyday life, the practice of tying sleeves has deep cultural roots, blending practicality with elegance. Sleeve-Tying The tradition of tying sleeves can be traced back to two main purposes: as a simplified version of arm guards in martial contexts and as a practical tool for daily tasks, known as panbo (襻膊). Both uses highlight the adaptability of ancient Chinese clothing to the needs of its wearers. Arm Guards: From Battlefields to Screens The earliest examples of arm guards date back to the Warring States period, where bronze arm guards were used by soldiers. These cylindrical metal protectors were designed to shield the forearm during combat. By the Han Dynasty, arm guards evolved into textile versions, such as the famous "Five Stars Rise in the East, Benefiting China" arm guard, made of intricately woven brocade. These guards were secured with straps, offering both protection and flexibility. In modern historical…

Purple, often associated with royalty and nobility, has long been considered a color of prestige and power. In ancient China, it was widely believed that commoners were forbidden from wearing purple, reserved exclusively for the elite. But was this truly the case? The answer, as it turns out, is more nuanced than a simple yes or no. The Origins of Purple’s Prestige The perception of purple as a noble color stems from two main factors: the high cost of purple dye and the influence of class systems and cultural trends. However, it’s important to note that not all shades of purple were created equal. The color spectrum includes countless variations, and not every hue was off-limits to the general populace. The Cost of Purple Dye Purple dye was indeed expensive to produce. One of the most common sources of purple dye was the murasaki plant, while another was sappanwood, which yielded a different shade of purple. However, plant-based dyes were less stable and durable compared to mineral-based alternatives. During the Han Dynasty, a breakthrough occurred with the discovery of "Han Purple," a synthetic pigment made from barium copper silicate. This vibrant hue, found on the terracotta warriors of the Qin…

In the world of historical dramas, the weimao (帷帽, veiled hat) is a staple of cinematic beauty. Often seen in scenes where the heroine’s face is revealed as the wind lifts her veil, this iconic accessory has become synonymous with ethereal charm. Yet, despite its visual appeal, the weimao is often dismissed as a “beautiful but useless” item. But is it truly just a decorative prop, or does it hold deeper historical significance? The Origins of the Veiled Hat The weimao traces its roots to the nomadic tribes of ancient Central Asia, where it was initially designed as a practical garment to shield wearers from sand and wind. Its predecessor, the mili (羃篱, a bamboo-framed veil), was worn by both men and women for protection during travel. Over time, the weimao evolved into a shorter, more refined version made of silk or gauze, with a wide brim and a veil that draped to the neck. By the Tang Dynasty (618–907 AD), it had become a fashionable accessory for women, symbolizing both modesty and status. A Symbol of Changing Times The weimao reached its peak popularity during the Tang Dynasty, a period marked by cultural openness and innovation. Historical records, such…

In the world of Chinese historical dramas, few accessories are as iconic as the forehead ribbon, or mo’e (抹额). Recently featured in popular series like Fangs of Fortune (大梦归离) and The Untamed (陈情令), this simple yet elegant accessory has captured the imagination of audiences worldwide. But what is the story behind this ancient adornment, and how has it evolved over time? From its origins as a practical tool to its role as a symbol of identity and status, the mo’e offers a fascinating glimpse into Chinese cultural heritage. A Symbol of Identity and Utility The forehead ribbon has a rich history, serving both practical and symbolic purposes. Its earliest recorded use dates back to the Qin Dynasty (221–206 BCE), where it was employed as a military insignia. Known as junrong mo’e (军容抹额), these ribbons were part of the uniform worn by soldiers and ceremonial guards. They were often paired with specific attire, such as red robes and wide trousers, to denote rank and role. Historical texts, including The Chronicles of the Han Dynasty, describe how the mo’e became a standard feature of military dress, symbolizing discipline and order. For women, the forehead ribbon had a more utilitarian function. During the…

In the historical drama Sijin (似锦), actress Jing Tian (景甜) has been spotted wearing the same hairstyle repeatedly, with only minor changes in accessories. This has sparked a wave of online commentary, with fans jokingly asking, “Is this hairstyle permanently glued to her head?” But what is the story behind this iconic look, and why has it become such a staple in Chinese historical dramas? The Origins of the Double-Ring Immortal Chignon The hairstyle in question is known as the shuanghuan Wangxian ji (双鬟望仙髻), or “Double-Ring Immortal Chignon.” It evolved from the simpler Shuanghuan ji (双环髻), a traditional hairstyle for young girls. Over time, its ethereal beauty made it a favorite in depictions of celestial beings and noblewomen, earning it a place in classical Chinese art and literature. For instance, the Admonitions of the Nymph of the Luo River (洛神赋图) and the Eighty-Seven Immortals Scroll (八十七神仙卷) both feature this hairstyle, cementing its association with grace and divinity. Its popularity in art and culture has made it a timeless choice for characters who embody elegance and otherworldly charm. A Hairstyle Through the Ages The Double-Ring Immortal Chignon has undergone several transformations throughout history. During the Wei, Jin, and Southern and Northern…

Moonlit Memories: Preschoolers Celebrate Mid-Autumn Festival in Style In the quaint town of Chenqiao, Jiangsu Province, a heartwarming scene unfolded as the Mid-Autumn Festival approached. The local community came together to organize an enchanting event that blended age-old traditions with youthful enthusiasm, creating a magical experience for the town's youngest residents. The "Our Festival · Mid-Autumn Festival" event, jointly organized by various local institutions and the Wulishu Kindergarten, was more than just a celebration - it was a bridge connecting China's rich past with its vibrant future. As the children gathered, dressed in miniature hanfu and clutching handmade rabbit lanterns, they embodied the harmonious coexistence of tradition and modernity that defines contemporary China. The event kicked off with young party member volunteers weaving tales of the Mid-Autumn Festival's origins. Through a tapestry of stories, rhymes, and vivid imagery, they transported the children back in time, unraveling the mysteries of this ancient celebration. From moon-gazing to lantern riddles, the volunteers painted a vivid picture of traditional customs, instilling in the young minds a deep appreciation for their cultural heritage. But the real magic began when theory turned to practice. The DIY lantern-making session saw tiny hands busily at work, guided by…

From Classrooms to Weddings: Hanfu's Growing Presence in Everyday Life As the Mid-Autumn Festival approaches, a fascinating trend is sweeping across China - the rising popularity of hanfu, traditional Chinese clothing. This resurgence is more than just a fashion statement; it's a cultural phenomenon that's reshaping how modern Chinese, especially the younger generation, connect with their heritage. In recent years, hanfu has transcended its historical confines to become a vibrant part of contemporary Chinese life. From school performances and holiday photo-ops to Chinese-style weddings, the elegant silhouettes of hanfu are increasingly visible in everyday scenarios. This trend reflects a deeper shift in Chinese society - a growing appreciation for traditional culture and a burgeoning sense of cultural confidence among the youth. The numbers tell a compelling story. Some hanfu stores report a four to five-fold increase in customers, with students making up the majority of this surge. This isn't just a local phenomenon; the popularity of hanfu, particularly styles like the horse-face skirt, has even caught international attention. Li Fangguo (李方国), owner of a hanfu experience store, offers insight into this trend. His shop boasts over 500 sets of hanfu, ranging from styles of the Wei-Jin period to the Qing dynasty.…

Nowadays, the Mamian skirt is increasingly integrated into our sight and life. Under such a trend, many people are eager to own their desired Mamian skirt. Let's follow Hanfu Shidai and take a look at the details to consider during the process of selecting and styling a Mamian skirt. 1 - Selection Stage Step 1: Size Firstly, choosing the right size that fits the body curves is crucial for the perfect outfit. Like a suit, a Mamian skirt can be chosen according to a size chart or customized. Whether you are selecting from a size chart or opting for customization, the main standards to measure are height, waist, and hips. These measurements will influence the choice of skirt length, waist length, and sweep circumference. If we choose to shop online, sellers often provide a size chart for customers to make their selection. By comparing the chart, you can choose according to your size information. If opting for customization, you can first provide the seller with your waist, hip, and height information for reference. Then, based on your needs, negotiate with the tailor to decide the width of the skirt door, the length of the skirt waist, and the skirt length. Generally,…

The Mamian skirt pattern, as a traditional cultural element, is leading a new trend in the fashion world today. Its unique design and patterns showcase the elegance and temperament of ancient Han women, while also incorporating elements of modern fashion, making it a highly regarded focus in the fashion industry. Let us explore the structure, content, and trends of the Mamian skirt pattern in the fashion world. 01 Diversified Material Innovations In modern fashion, designers have applied the Mamian skirt pattern to various materials such as silk, cotton, chiffon, and blended fabrics. The Mamian skirt exhibits diverse styles and characteristics through material innovation, combining vintage flavor with a contemporary sense of fashion. This diversified material innovation injects new vitality and fashion trends into the Mamian skirt pattern.   02 Innovative Styles and Diversification Modern designers have retained the traditional Mamian skirt's basic structure and introduced many innovations. For example, the Mamian skirt can be paired with other garments such as t-shirts, shirts, or jackets to create a unique fashion style. Additionally, the Mamian skirt pattern can be incorporated into accessories such as handbags, shoes, or jewelry, adding unique highlights to the overall look.   03 Perfect Fusion of Tradition and…

Recently, the new cdrama "Love Me, Love My Voice" starring Zhou Ye has been gaining popularity. Directed by Sha Weiqi, the drama features Tan Jianci and Zhou Ye as the lead actors, with Hou Wenyuan, Yang Zizi, Cao Enqi, and Chen Haolan in supporting roles. It premiered on November 30, 2023. Gu Sheng (played by Zhou Ye), a talented composer and university student, continues to strive for success in her music career. Her biggest wish is to collaborate with the renowned voice actor Mo Qingcheng (played by Tan Jianci). Unexpectedly, a chance encounter brings them together when Mo Qingcheng recites a recipe to her, stirring Gu Sheng's heartstrings. Ten years ago, Mo Qingcheng co-founded the Wanmei Dubbing Club with his friends, dedicating himself passionately to voice acting. He is also a cardiac surgeon, devoted to saving lives. Gu Sheng is invited to participate in a promotional event for her best friend Geng Xiaoxing's (played by Yang Zizi) company, which coincides with the tenth anniversary celebration of the Perfect Dubbing Club, bringing her closer to Mo Qingcheng once again. As Gu Sheng gradually gains fame, she faces doubts about her talent, but she remains true to herself, focusing on her work…

In the rich tapestry of Chinese history, traditional clothing is not just a matter of fabric and fashion; it's a vivid reflection of cultural values, social hierarchy, and artistic expression. Among these historical garments, the Hanfu Warring States Robe stands out as a symbol of elegance and a repository of stories from a time when China was divided yet culturally vibrant. This article delves into the mesmerizing world of the Hanfu Warring States Robe, a garment that encapsulates the essence of an era marked by turmoil, sophistication, and enduring legacies. In this journey through time, we will explore the origins and evolution of the Warring States Robe, its significance in the broader context of Hanfu and Chinese history, and how this ancient garment continues to influence modern fashion and cultural identity. Join us as we trace the golden threads of history, discovering the timeless elegance and profound symbolism embodied in the Warring States Robe.   What is Warring States robe? The Warring States robe, literally speaking, refers to the robes and garments from the late Eastern Zhou Dynasty and the Warring States period. The main reference for the current Warring States robe on the market is the cultural relics from…

Recently, the popularity of Mamian Qun (horse face skirt) shows no sign of waning. On November 23rd, at the opening night of VOGUE Forces of Fashion, Tong Yao's appearance in a Mamian Qun caught the attention of netizens. Mamian Qun are gradually integrating into our vision and lives. In light of this trend, I believe many people are eagerly longing to own a horse-face skirt, so let us follow the Hanfu Shidai explore the details to consider when selecting and styling a horse face skirt.   I. Selection Stage Step 1: Size First and foremost, a suitable size that fits and contours to the body curves is crucial for a perfect outfit. Similar to a suit, one can choose to follow the size chart or opt for made-to-measure when selecting a Mamian Qun. Whether based on the size chart or personalized tailoring, the primary measurements to consider are height, waist circumference, and hip circumference. These factors will influence the choice of skirt length, waist length, and hem circumference. If we choose to purchase online, merchants often provide a size chart for customers to make their selection. By referring to the table, one can choose accordingly based on their own size…