Makeup & Hairstyle

Zhao Lusi's latest Tang Dynasty-inspired look in 'Pearl Curtain and Jade Screen' has fans reminiscing about her iconic Le Yan (乐嫣) character from 'The Long Ballad' (长歌行). While both styles draw from the Tang Dynasty aesthetic, there are notable differences that showcase her versatility in portraying historical roles. Le Yan's Hairstyle in 'The Long Ballad' In 'The Long Ballad', Zhao's Le Yan character sported the classic 'Bunny Ear' hairstyle, known as Baiheji (百合髻) or Lily Bun. This double-bun style, often with a center part or crisscross design, was popular during Emperor Taizong's reign (627 - 649 AD). Historical records from Ma Gao's 'Notes of Past and Present China' describe it as one of the signature hairstyles of early Tang Dynasty, perfectly complementing Zhao's sweet and youthful appearance. Hairstyle in 'Pearl Curtain and Jade Screen' The 'Pearl Curtain and Jade Screen' presents a more mature interpretation of Tang fashion. Zhao's character wears a single bun hairstyle, reminiscent of the Qiu Ji (囚髻) or Prisoner's Bun popular in mid - late Tang Dynasty. The styling features thinner, more voluminous sideburns creating a 'Chan Bin' (蝉鬓) or Cicada Wing effect - a delicate framing technique that mimics the transparency of cicada wings using…

In the popular drama 'Splendid Peace,' Ren Min's makeup has garnered significant attention, particularly her eyebrows, which dramatically enhance her facial features. In traditional Chinese makeup, the 'Emei' (蛾眉) or 'Moth Eyebrows' have been a long - standing trend. Described in ancient texts like 'Chu Ci' (楚辞) and 'Li Sao' (离骚), these eyebrows are slender, curved, and long, resembling the antennae of a silkworm moth. Historically, silkworm farming was a vital agricultural tradition, and even empresses participated in sericulture rituals, making the moth - inspired makeup unsurprising. Over time, the term 'Emei' evolved from a specific style to a general reference for various eyebrow shapes. For instance, during the Tang and Song dynasties, styles like 'Echi' (蛾翅) or 'Chuizhu Mei' (垂珠眉) emerged. In 'Splendid Peace,' Ren Min sports the 'Yueleng Mei' (月棱眉), also known as 'Qu Yue Mei' (却月眉), which resembles a crescent moon with a sharp upper edge and a softly blended lower edge. Other similar styles include 'Lianjuan Mei' (连娟眉), 'Liu Ye Mei' (柳叶眉), and 'Yuanshan Mei' (远山眉). These curved, elongated eyebrows suit most face shapes but are particularly flattering for round or broad faces, adding a sense of space and layered beauty reminiscent of Chinese ink paintings.…

A Shift Towards Historical Accuracy For years, historical dramas have enchanted audiences with their lavish costumes, intricate sets, and grand storytelling. However, one aspect often overlooked is the accuracy of children’s hairstyles. Many period dramas have traditionally styled young characters with adult-like hairdos, giving them a "miniature adult" appearance that lacks the playful authenticity of childhood. Recently, however, a shift has begun, and productions like Jia Ye (家业), Flourished Peony (国色芳华), and Joy of Life (庆余年) are finally embracing historically accurate child hairstyles, leading viewers to exclaim: "So this is what ancient children really looked like!" The Evolution of Child Hairstyles in Ancient China Ancient Chinese children's hairstyles were far from uniform; they evolved through different stages as the child grew. Similar to modern times, children in historical China had distinct hair grooming traditions, beginning with shaved heads in infancy, moving to partially grown and styled hair, and eventually progressing to more formal hairstyles in adolescence. The idea that children must wear miniature versions of adult hairstyles is a modern misconception that certain period dramas are now correcting. Infancy: The Shaved or Minimal Hair Phase In early childhood, many children had their heads shaved regularly to promote hair growth, a…

As someone deeply passionate about historical clothing and accessories, people often ask me: "Does your knowledge of ancient fashion ruin your enjoyment of period dramas?" The answer is—quite the opposite! In fact, it adds another layer of enjoyment, turning each viewing into a treasure hunt for accurate details (or amusing anachronisms). Take "Nirvana in Fire 2" (琅琊榜之风起长林), for example. The series boasts stunning visuals, but as I watched, I couldn't help but notice a curious detail—the jewelry worn by characters like Empress Xun (荀皇后) and the Grand Lady of Laiyang (莱阳太夫人) bore striking similarities to Ming Dynasty designs. However, their application in the drama was... unconventional, to say the least. It appears that the production team sourced historically inspired pieces but missed the mark on how they were actually worn. Filigree Gold Phoenix Hairpins One of the most eye-catching pieces worn by Empress Xun is a set of three gold phoenix hairpins (累丝嵌宝石金凤簪). These exquisite accessories have a real-life counterpart: they are modeled after jewelry unearthed from Ming Dynasty imperial tombs in the western suburbs of Beijing. These tombs, unfortunately looted and excavated long ago, left behind only fragments of their once-lavish burial artifacts, yet what remains showcases remarkable craftsmanship.…

In the world of ancient Chinese jewelry, few pieces have captured the imagination of modern enthusiasts quite like the so-called "Moth Crown" attributed to Li Jingxun (李静训), a young noblewoman from the Sui Dynasty. However, recent scholarly insights reveal that this exquisite artifact is not a crown at all, but a hairpin—a detail that has been overlooked in popular reproductions and adaptations. This revelation not only corrects a historical misconception but also deepens our appreciation for the intricate craftsmanship and cultural significance of this remarkable piece. The Misidentified "Crown" The hairpin, often mistaken for a crown, is a stunning example of Tang Dynasty jewelry. It belongs to the category of buyao (步摇, step-shaking ornaments), which were designed to sway gently with the wearer’s movements. Shen Congwen (沈从文), in his seminal work Research on Ancient Chinese Clothing (中国古代服饰研究), refers to it as a "moth-and-flower hair ornament," (闹蛾儿扑花首饰) while archaeological reports describe it simply as a "hair accessory." The confusion likely stems from the fact that most images of the artifact show only a partial view, leading many to assume it was a crown. However, crowns typically have a base structure, which this piece lacks. Instead, it is a multi-pronged hairpin, a…

In recent years, intricate half-face masks have become a popular accessory in historical dramas, leaving many viewers wondering: how did these delicate ornaments stay securely on the wearer’s face? The answer lies in the ingenious design of ancient Chinese masks, which have evolved over millennia, blending functionality with artistry. These masks, far from being mere decorative items, hold deep cultural significance and offer a fascinating glimpse into China’s rich heritage. The Mechanics of Ancient Masks At first glance, these masks appear to float effortlessly on the face, but a closer look reveals their practical design. Typically, they are secured by ties at the sides, fastened at the back of the head. A subtle groove along the nose bridge ensures the mask stays in place, preventing it from slipping. This clever combination of ties and structural support allowed wearers to move freely without fear of their masks falling off. Masks in Ancient China While some might associate such masks with Western traditions, China boasts a long history of intricate mask-making, dating back to the Shang and Zhou dynasties. The most iconic examples come from the Sanxingdui and Jinsha archaeological sites, where gold and bronze masks were unearthed. These masks, often depicting…

The Song Dynasty (960–1279 AD) is often romanticized for its elegance and sophistication, particularly in fashion. One of the most iconic beauty trends of the era was the "pearl makeup," where women adorned their faces with tiny pearls. But did the number and placement of these pearls signify social status or rank? The answer, surprisingly, is no. Pearl Makeup: A Universal Trend Contrary to popular belief, the use of pearls in makeup during the Song Dynasty was not regulated by social hierarchy. While the imperial court had strict rules for official attire and ceremonial dress—such as the number of dragons or phoenixes embroidered on robes—there were no such guidelines for pearl makeup. Pearls were a universal fashion statement, embraced by women across all social strata. The pearls were typically applied to specific areas of the face: between the eyebrows, along the temples, and on the cheeks. These placements were not arbitrary but followed aesthetic principles that highlighted the natural contours of the face. However, the number of pearls used was entirely a matter of personal preference and financial means, not rank. Pearls as a Symbol of Wealth While the number of pearls did not denote social status, their abundance often…

Carmen Lee (李若彤), the actress best known for her iconic role as the "Dragon Girl" in Return Of The Condor Heroes (神雕侠侣), has once again captured the public’s attention—this time, not for her acting, but for her breathtaking appearance in Hanfu, traditional Chinese clothing. At 58, Lee’s grace and poise have left fans in awe, proving that true beauty transcends age. Whether in modern attire or ancient garments, she exudes a blend of elegance and strength that continues to inspire. A Perfect Match for Song Dynasty Style Lee’s recent Hanfu looks draw inspiration from the Song Dynasty, a period renowned for its understated yet sophisticated fashion. Her outfits typically feature a cross-collar blouse paired with pleated skirts, a classic combination that reflects the refined taste of noblewomen from that era. The addition of a pibo (披帛, a long silk scarf) adds a touch of fluidity and grace, enhancing the overall aesthetic. Her makeup, reminiscent of the Tang and Song dynasties’ Feixia style (飞霞妆), involves a light layer of rouge topped with white powder, creating a delicate, rosy glow. This technique, also seen in Liu Yifei’s (刘亦菲) portrayal in A Dream of Splendor (梦华录), complements warm skin tones beautifully, making it…

Have you mesmerized by the makeup of "A Journey to Love"? The beauty level is comparable to the grand award of Huadian in ancient costume dramas. BAZAAR brings you a look at the use of the Huadian in recent Chinese TV dramas and its history. As the chosen one of ancient times, Liu Shi Shi made a graceful appearance with a transcendent snow dance, dressed in a flowing red gown, with a graceful figure. The red of the Huadian between her eyebrows and the white of the snow complemented each other, making her as beautiful as a painting. After entering the palace, she abandoned her fierce killer aura and her presence became gentle and hazy. Her usual elegant attire, paired with the Huadian, exuded a cool and charming aura. The costume and makeup of other characters are also praiseworthy. He Lan Dou, who plays Princess Yang Ying, went from being overlooked to becoming the empress, and the appearance of the Huadian perfectly corresponded to her growth trajectory. Chen Xiao Yun's Huadian makeup in the role of noble consort Chu emanated a pure and captivating charm, making her beauty irresistible. Chen Du Ling, who caused a stir with her appearance, portrayed…

Without a doubt, China has some of the most convenient and effective skincare culture and products in the beauty industry. Just like AKT’s eco-friendly deodorant collection, traditional Chinese beauty products are made from ingredients straight from the bosoms of Mother Nature. Because China is rich in culture, many of their skincare practices date back to centuries ago and the routines we adopt can be traced back to them. Their beauty rituals have been passed down through generations like an heirloom. So, if you want to have flawless glass-like skin like the Chinese, we’ll let you in on some of their beauty secrets. 1. Jade Rollers and Gua Sha Stone for Face Sculpting Face sculpting is one of China’s oldest beauty practices. Jade rollers and Gua Sha stones were used to target acupuncture points and allow for better blood circulation. But it goes way deeper than that. In China, having a v-shaped or egg-shaped chin is the beauty standard. So, people use jade rollers and the gua sha stone as face sculpting tools that also help with lymphatic drainage. To them, a less puffy face is more attractive than full lips and doe eyes. Today, these face-sculpting tools are used all…

During the Tang Dynasty, which was the pinnacle of feudal society in China, many aspects reached unprecedented heights. Well-known achievements such as poetry, calligraphy, painting, and dance were accompanied by a vibrant clothing culture that became one of the most dazzling chapters in Chinese fashion history. Consequently, hairstyles also exhibited an unimaginable array of colors and postures.   High Bun The term "high bun" may refer to a specific type of bun hairstyle, but it is more likely a general term for tall buns. High buns were frequently seen during the Tang Dynasty and underwent continuous innovation in style. Many poets mentioned them in their works. The popularity of these high buns spanned the entire three hundred years of the Tang Dynasty.   Lofty Bun Lofty Bun (峨髻, e ji) implies grandeur and magnificence. It is widely believed that the hairstyle depicted in Zhou Fang's painting "Court Ladies Adorning Their Hair with Flowers" represents lofty bun due to its towering mountain-like appearance. However, some people associate it with flower-decorated bun because women in the painting wear golden and silver floral accessories.   Side Bun This type of bun existed as early as the Sui Dynasty. It involved creating a tall…

Unlock the aesthetics of the Song Dynasty and its people through this selection of elegant and inspiring paintings. "The Song, Painted" is a digital exhibition launched by CGTN, which comprehensively presents the living scenes of ancient people in Song Dynasty paintings. Several artists, scholars, and curators share their professional insights to analyze the historical and cultural elements hidden within the Song Dynasty paintings. In this article, let's follow the Hanfu Shidai and renowned designer Chu Yan into the world of Song Dynasty paintings to appreciate the beauty of Song Dynasty costumes and makeup in detail. Song Dynasty costumes were renowned for their refined and elegant beauty. -- Chu Yan During the Song Dynasty, there was a significant shift in female body aesthetics. While plumpness was considered beautiful in the Tang Dynasty, thinness became the beauty standard in the Song Dynasty. Simple and elegant clothing styles were widely popular during this time. In "Palace Concert Rehearsal," we can see characters dressed in simple and modest Beizi (long-sleeved garments) with straight collars and side slits. The loose fit and narrow skirt worn with a tight chest wrap fully showcased the slender and graceful physique of Song women. The painting "Enjoying the Moon…

The Tang Dynasty is commonly known for its vibrant culture, especially when it comes to the arts, music, and fashion. One of the most iconic aspects of Tang women's fashion was their elaborate makeup styles. From brightly colored lips to elaborately decorated eyebrows, Tang women were not afraid to experiment with unique beauty trends. However, with a wide range of cosmetic methods and hues, identifying different makeup styles from this era can be quite challenging. In this article, we'll take a closer look at some of the most popular makeup trends of the Tang Dynasty and provide a beginner's guide to recognizing them. The Tang Dynasty was the pinnacle of China's feudal civilization, characterized by southern and northern unification, vast territory, political stability, economic development, and flourishing education and culture. Trade and cultural exchanges with foreign countries provided a solid foundation for the development of its culture. "At the sight of clouds, we cannot help but associate them with her glamorous attire. At the sight of flowers, we immediately think of her stunning beauty." - in the Tang Dynasty, women's makeup reached a peak in ancient Chinese history, rich and diverse in style. In the early Tang Dynasty, politics was…

In ancient China, women's headwear was very gorgeous, and in addition to gold and silver jewelry, beautiful flowers were often worn as accessories. In the Song Dynasty, from the court down to the folk, both men and women loved flower hairpins. In this article, let's explore the history of traditional Chinese flower hairpins.   Origin of Flower hairpins The earliest record of the custom of flower pinning is from the period of Emperor Gaozu of Han, in which Lu Jia wrote in his "Nan Yue Xing Ji" that women in the Lingnan region liked to wear jasmine flowers as hairpins. During the Sui, Tang, and Five Dynasties period, flower hairpin was very popular among the Central Plains. At this time, society was open, people pursued fashion and novelty, and there was a wide variety of clothing and accessories, including flower pins. In the painting "Court Ladies Adorning Their Hair with Flowers", we can see that the ladies are wearing peonies, lotus, hydrangea, and other flowers in their hair, which has a unique flavor. The Tang Dynasty also featured men wearing flower hairpins, and the emperor often rewarded officials and scholars with flowers. In the Song Dynasty, the custom of flower…

Historical Background The Sui, Tang and Five Dynasties were the most important period in Chinese history. From the end of the 6th century to the mid-10th century A.D., feudal rule lasted more than 300 years. Tang Dynasty was the most glorious dynasty in Chinese history. It was powerful, materially abundant, and famous in frontiers and overseas. In 581 A.D., Emperor Wen of Sui, Yang Jian seized the Northern Zhou regime and established the Sui Dynasty, and then destroyed Chen and unified ancient China. However, Emperor Yang of the Sui Dynasty was exacting and profligate, which made the Sui Dynasty last for only 39 years. Since the founding of Li Yuan and the pacification the various forces. Li Shimin succeeded to the throne as Emperor Taizong. During his reign for more than 20 years, logical administration and harmonious people. Historically, this peaceful and prosperous era was called the Governance during the Zhenguan Reign. After that, until ten years of Emperor Xuanzong of the Tang Dynasty, the country was prosperous and the people were safe and the society was rich, and historically known as the KaiYuan Period. After the An Lushan Rebellion, the Tang Dynasty changed from prosperity to decline. In 907,…

History Background In 1368, Zhu Yuanzhang has crowned emperor. His regime was established with the name of Hongwu and the whole dynasty was named Ming. In the 14th year of Hongwu, the remaining forces of the Yuan dynasty in Yunnan were pacified and ancient China was finally reunified again. Zhu Yuanzhang abandoned the costume system established in the Yuan Dynasty and adopted the system of the Han and Tang dynasties and tried his best to restore the various rituals of the Han people. From the beginning of the Ming Dynasty to the reign of the second emperor Chengzu, the Ming Dynasty had been quite prosperous, and after Chengzu, Emperor Xuanzong and Emperor Yingzong were still able to maintain prosperity. But since then, due to the eunuchs' disorderly administration and the invasion of pirates, the country had been on the way of declining. In 1644, Wu Sangui opened the Shanhai Pass and led the Qing troops into Beijing to fight against Li Zicheng. And after that the Qing troops entered the Central Plains. The Ming dynasty lasted 227 years from the beginning of the Ming dynasty to the death of Emperor Chongzhen who hanged himself.   Ming Dynasty Makeup Features During…

When wearing hanfu, everyone will usually do the hanfu hairstyle. With a beautiful hairstyle, it will indeed be very photogenic when taking photos. However, it does take time and energy to do a beautiful hanfu hairstyle. When you usually go out, you may not have enough time to do a beautiful hairstyle. In fact, some hairstyles can be used to match hanfu in addition to ordinary clothes, as long as you match them properly, they will naturally look good.    1. Low ponytail If you don't want to create an overly complicated hanfu hairstyle, a simple low ponytail that goes well with the hanfu will suffice. Of course, everyone should pay attention to the feeling of laziness when wearing this type of hairstyle. That is, when a low ponytail is tied, it should not be too close to the scalp and should be tied a little looser. Also, it is best to leave some bangs in the front to complete the face shape. If you don't have neat bangs, you can also leave two strands of hair at the temples, which will make the hairstyle softer, and more suitable for matching hanfu.   2. High ponytail The low ponytail mentioned…

If you are a traditional Chinese culture and clothing fan, then the 1987 version of Dream of the Red Chamber is a drama you can’t miss. Although it was a drama 35 years ago, relying on the strong support of the original work and high-quality clothing, makeup and props, it is still the top Chinese costume drama in many people’s minds. A blogger that is introduced to everyone today, she is obviously also a loyal audience of The Dream of Red Mansions. She has successfully imitated several characters in Dream of the Red Chamber and won the love of netizens. She is @Wo Shi Ba Pi Ya (我是扒皮呀). Let's take a look at her interpretation of the characters in Dream of the Red Chamber.   Wang Xifeng Wang Xifeng, one of the heroines in Dream of the Red Chamber. She is beautiful, with a pair of phoenix triangular eyes and two slender and long eyebrows, slim and good-looking. Appearing dressed in colorful embroidery splendor, laughter first gets, like a divine concubine fairy. Because of her beautiful appearance and charming bearing, Jia Rui was fascinated by her. The left picture is the 87th version of "Dream of the Red Chamber" Wang…

In recent years, with the rise of the China-Chic trend, many gold stores have also begun to favor products of traditional culture and launched the so-called ancient gold craft and inheritance series of Chinese gold jewelry. The ancient Chinese used goldware as body decoration, dating back to the Xia Dynasty 4,000 years ago. The gold eardrops unearthed in Gansu is the best proof. The simple circle obviously cannot reflect the skill level of the ancients, so today let’s take a look at the gold earrings and gold bracelets in the museum’s collection of cultural relics. Let’s experience the luxury aesthetics of ancient Chinese gold jewelry.   Eardrop Eardrops (Er Zhui, 耳坠) is a kind of traditional Chinese earrings, with an additional part of the drop than earrings. This pair of gold eardrops in the Warring States Period adopts a cone and spring design, and the color matching of gold and turquoise is even more ingenious. This pair of gold eardrops from the Northern Wei Dynasty is composed of amber, silver ring, gold ring, silk column, hollow gold beads, wheat ear flower and other elements. Through weaving, welding, hammering, wire drawing, and other technologies, it creates a complicated but not messy…

The pursuit of beauty is human nature. Beauty is not only a reflection of the mind, but also a reflection of the interest in life. Tang Dynasty women are the best representatives of beauty, because they inherited the mentality of "Dress up for those who like or admire yourself (女为悦己者容)" from ancient times, and pushed the beauty ideal realm to the highest level under the booming economy and the open and tolerant social atmosphere. Lively, dignified, noble, the endless types of Tang Dynasty female hairstyles, paired with exquisite makeup, made many literati and scholars unstinting in their talent to depict the Tang women's style. Let's follow ArtMoment to go back thousands of years ago, and enjoy the beauty of Tang female hairstyles in that remarkable era of spiritedness.   Ancient Hairstyle Tips What are Ji and Huan? The ancient Chinese women's hairstyle is commonly known as Ji Huan (髻鬟, jì huán), and according to the method of combing, there are two types of Ji (髻, jì) and Huan (鬟, huán). Ji, solid hair bun, suitable for ordinary women; Huan, ring-shaped hair bun, suitable for young girls. What does the change of hairstyle mean? In ancient China, a woman's hairstyle changed with…

In the middle of the Tang Dynasty, women's hairstyle, makeup, jewelry, and dress style has undergone a huge change. Heavy makeup and high buns, long skirts with large sleeves prevailed, and formed a variety of distinctive makeup styles. At first, it was just regarded as grotesque, considered to be a sign of chaos, but later it developed into an issue discussed in the court. Although prohibited by the court, it is difficult to extinguish, getting more and more intense.   Shi Shi Zhuang During the Zhengyuan period (785-805), the Ti Mei makeup (啼眉妆) and the Duo Ma bun (堕马髻) appeared first. The prototype of the bun hanging on one side already appeared during the Kaiyuan period, but it evolved into more huge and exaggerated in the Middle Tang Dynasty. The eyebrows painted in the shape of characters "八", replaced the previous curved thin eyebrows. The female figurines excavated during the Zhen Yuan period and the ladies of the "A Palace Concert" all showed such kind of makeup style. On this basis, the famous Shi Shi Zhuang (时世妆) was formed during the Yuanhe period (806-820). Bai Juyi, who loved to record the details of the costumes, depicted this makeup detail in…

To choose a representative of ancient Chinese beauty, Yang Guifei (杨贵妃/杨玉环, Yang Yuhuan) would probably be one of the most highly acclaimed candidates. As one of the Four Beauties, her romantic legend with Emperor Xuanzong has been repeatedly sung, and anecdotes about the consort and written accounts of her appearance, as well as related paintings, operas, and theatrical stage performances, are commonplace. For thousands of years, literati and people have been curious about the beauty and makeup of the consort. What is the real makeup style of Yang Guifei? If we only speculate from the descriptions of later texts, we may not get the real results. Aesthetics are always changing, and the benchmark for judgment is also changing. But large-scale archaeological excavations over the past half-century or so, especially the hundreds of realistic ceramic figurines, murals and silk paintings unearthed in the tombs of nobles during the Xuanzong era, have allowed us to scientifically summarize the aesthetic tendencies and changes in the figure and makeup of noblewomen during the decades of the Tang dynasty, Kaiyuan (开元), and Tianbao (天宝). Among them are many court paintings of Yang Guifei during her stay in the palace, which is generally available for reference…

In ancient China, based on different social backgrounds, there are different styles of hanfu clothing between dynasties, women's traditional makeup will also vary, this article will share the characteristics of the makeup of women from the Warring States period to the Song Dynasty for you.   01 Warring States Warring States period makeup is mainly light and elegant makeup, the society at that time advocated the virtue of beauty, so the simple makeup became the mainstream, the overall give a sense of nature without powder, to be able to fully show the five features and the advantages of the face shape.   02 Western Han and Eastern Han Western Han and Eastern Han period makeup is also more characteristic. Western Han Dynasty, the biggest feature of women's makeup is lip makeup, lip makeup halo area is small and concentrated in the location of the lip beads, so it will give a sense of biting the lips, coupled with thin eyebrows, looks classical charm. The makeup of the Eastern Han period is significantly different from the Western Han period, where the eyebrows were replaced with thicker eyebrows, and both sides of the cheeks will be stained with blush, compared to the…

As for the most powerful woman in ancient China, Wu Zetian must be mentioned. From the time she entered the palace to the time she abdicated, Wu Zetian's life spanned nearly seven decades from the early Tang Dynasty to the peak of the Tang Dynasty, nearly a quarter of the reign of the Tang Dynasty. With the overall national power, economy, customs, and even climate change of various factors, this period of court makeup, whether the overall aesthetic, or makeup, hair, jewelry, and even clothing, have undergone huge changes. As a woman who eventually rose to the top of imperial politics, Wu Zetian had the powerful energy for changing the makeup fashion of the day.   01 From the simple charm of the old dynasty Wu Zetian was born in the seventh year of Wu De (624), and entered the palace at the age of fourteen in the eleventh year of Zhenguan (637). After twelve years as a concubine, she followed the other concubines without children into the Temple of Sensationalism as a nun. The style of Tang women's clothing in the Zhenguan period was similar to that of the late Northern dynasty and Sui, advocating a slender figure and…