Art

The National Museum of China, one of the most prestigious cultural institutions in the country, offers an extraordinary opportunity to step into the past and witness the grandeur of China's ancient civilization. As visitors walk through its halls, they are greeted by monumental displays, including a massive granite relief of the legendary "Yu Gong Moves the Mountains," depicting the indomitable spirit of the Chinese people. This artwork symbolizes the relentless will and determination that have defined China's history, reflecting both the challenges faced and the triumphs achieved by its people over millennia. Inside the museum, history becomes tangible. The museum's exhibition, "Ancient China," allows visitors to walk through the ages, from the earliest signs of human civilization to the unified dynasties that shaped the cultural landscape of China. With 2026 carefully selected artifacts, including 521 top-tier national treasures, the exhibit provides a multi-dimensional experience of China's ancient heritage. Each artifact tells the story of China's journey from its humble beginnings to the flourishing civilization it is today. The Dawn of Civilization As visitors step into the "Ancient China" exhibit, they are immediately transported back hundreds of thousands of years. The museum's extensive collection begins with the dawn of human civilization…

Nestled in the heart of Rizhao (日照), Shandong Province is a unique museum that stands as a testament to the enduring charm and artistry of black pottery. The Black Pottery Xing Culture Museum (黑陶邢文化博物馆) may not be a nationally recognized institution, but it holds an unmatched place in the world of ceramic art. This is China's first museum dedicated exclusively to the art of black pottery, and it serves as a window into one of humanity's most ancient and sophisticated ceramic technologies. It is a place where visitors can not only admire historical works of ceramic artistry but also engage with a living tradition that continues to thrive today. Black pottery, with its origins in prehistoric times, embodies the technical mastery and cultural richness of ancient Chinese ceramics. The museum, with its extensive collection of artifacts, offers a fascinating journey through the evolution of ceramic techniques, showing how ancient artisans achieved seemingly impossible feats of artistry with limited tools and knowledge. Yet, the museum is not only about preserving history—it is a place where this art form is kept alive through innovative practices, helping to bridge the ancient and modern worlds of pottery. The Mystique of Black Pottery Black pottery,…

The recently concluded Second Saudi International Handicrafts Exhibition in Riyadh showcased the rich diversity and cultural significance of traditional craftsmanship from around the world. Organized by the Saudi Ministry of Culture's Heritage Committee, the exhibition brought together over 500 artisans, cultural representatives, and entrepreneurs from more than 20 countries. The event celebrated the timeless beauty of handcrafted goods while fostering international cultural exchange and cooperation. For the first time, China was a key participant in this prestigious event, unveiling a stunning array of its non-material cultural heritage. The Chinese pavilion was a captivating highlight, offering visitors an in-depth look at traditional craftsmanship that has been passed down through generations. With a wide range of exquisite pieces on display, China's exhibition stood as a testament to the country's deep cultural roots and the innovative spirit of its contemporary artisans. Showcasing the Diversity of Chinese Craftsmanship A rich array of traditional and modern crafts marked China’s presence at the exhibition. The Chinese booth featured a stunning selection of lacquerware, Kesi (Chinese silk tapestry), redwood carvings, sandalwood fans, paper-cutting, and sugar painting. Each piece reflected the exceptional skill of China's master artisans, highlighting both the preservation of age-old techniques and the infusion of…

The Chinese abacus, or "suanpan (算盘)," is a mathematical marvel that has played a pivotal role in Chinese commerce and education for centuries. Known as the "fifth greatest invention of China," the abacus remains a symbol of China's rich cultural and intellectual heritage. It's not just a tool for calculation—it's a gateway to understanding the deep connection between mathematics, commerce, and daily life in ancient China. The saying "When the abacus clicks, gold flows in" reflects the profound impact the abacus had on the business world, especially for the influential Shanxi merchants of the Ming and Qing dynasties. Recently, a ceremony celebrating the 500th anniversary of the publication of "Suanxue Baojian (算学宝鉴)" (The Treasure of Arithmetic) was held in Taiyuan, Shanxi, paying tribute to the legendary mathematician and abacus expert Wang Wensu. His groundbreaking work, completed over thirty years, was not just an academic achievement but also an essential tool for the success of the Shanxi merchant community. The "Suanxue Baojian" covers a broad range of mathematical concepts, including advanced calculations for equations, the pricing of goods like rice and horses, and the practical applications of these methods in business. Wang's work solidified the role of mathematics—and especially the abacus—in…

Recently, a notable guest visited Ningbo (宁波) University of Finance and Economics: Professor Mark Levine, a renowned American sociologist, and musician currently teaching at the Central University for Nationalities in Beijing. Known for his passion for Eastern cultures, Professor Levine embarked on an enlightening cultural exchange that allowed both him and the students to explore the heart of Chinese traditional arts. The event was not just a showcase of Chinese arts but a two-way journey of understanding and appreciation between East and West, underscoring the transformative power of cultural exchange. Traditional Arts that Captivated a Western Scholar Professor Levine’s introduction to Chinese traditional culture began with an immersive experience in Yueju (越剧), or Yue Opera, one of China’s oldest and most cherished regional operas. The performance, held on campus, featured students dressed in exquisite costumes, skillfully portraying the beauty and elegance of the Jiangnan region through both their acting and singing. The intricate costumes, delicate movements, and haunting melodies of the opera left a deep impression on the professor, who was visibly moved by the artistry. He marveled at the historical stories conveyed through the opera, calling it “absolutely magical.” His enthusiasm was not just for the performance itself but…

Dunhuang (敦煌), located at the crossroads of the ancient Silk Road, is known for its rich cultural heritage, which draws visitors from around the world to explore its historical sites and awe-inspiring landscapes. However, in recent years, the city has been adding an exciting new twist to its winter and spring tourism offerings—by reintroducing a time-honored local tradition known as "Tiehua (铁花)", or "Iron Flower." This ancient folk activity, a unique form of fire performance, is being revived as part of Dunhuang's efforts to boost its winter tourism season and offer visitors a more vibrant and immersive experience. The ancient tradition of the Iron Flower was originally an integral part of Dunhuang's celebrations during the Chinese New Year, particularly in the days leading up to the Spring Festival. At its core, Iron Flower is a firework performance that combines artistry, craftsmanship, and a touch of folklore. The name "Iron Flower" itself might sound unusual, but it perfectly captures the essence of this practice. The performance involves heating iron until it becomes molten, then skillfully tossing the molten metal into the air, where it explodes into vibrant, sparkling "flowers" of fire. This creates an enchanting visual spectacle of "fire trees and…

Chinese opera, one of the oldest and most influential performing arts in the world, has always been deeply embedded in people's everyday lives. Originating in rural villages and lively markets, this ancient art form evolved through centuries of social changes, from the humble theatre booths to the grandeur of royal courts. Over time, it grew into an essential part of Chinese culture, blending literature, music, dance, and drama to convey profound philosophical and moral messages. Traditionally, Chinese opera has celebrated themes of loyalty, righteousness, and familial devotion, serving as a mirror for the values of the society. As one of the most distinctive features of Eastern art, it has played a key role in strengthening cultural identity and promoting a sense of national unity. However, in the face of rapid modernization, Chinese opera has faced challenges in maintaining its relevance to modern audiences. This has led to a wave of creative innovation where opera creators have worked to connect age-old traditions with contemporary life. One of the most exciting developments in contemporary Chinese opera is its ability to address modern social issues through classical art forms. New plays and performances have emerged that focus on the struggles and triumphs of…

On December 1st, in celebration of International Day of Persons with Disabilities, the newly opened Palace Museum Cultural Integration Center launched with great fanfare. The center, a collaboration between the Palace Museum and the China Disabled Persons' Federation, is designed to promote cultural heritage and innovation while providing an inclusive, accessible space for all. It offers a unique blend of art, history, and social empowerment—integrating cultural preservation with accessibility. A central highlight of the launch was the showcase of handcrafted products from Hunan's (湖南) "Beautiful Workshop" (美丽工坊), a social enterprise initiative aimed at supporting disabled individuals through craft. Located within the Museum's creative retail zone, these crafts—ranging from intricate embroidery to delicate knotting and yarn weaving—captured the attention of visitors. Among the most celebrated items was a collaboration between the Palace Museum and "Beautiful Workshop," the "Public Welfare Red Scarf," which combines fashion with philanthropy. For every scarf sold, 10% of the proceeds are donated to the Hunan Disabled Persons' Welfare Foundation. The "Beautiful Workshop" initiative, which has been gaining momentum, reflects Hunan's broader commitment to enhancing social inclusion and economic empowerment for disabled individuals, particularly women. Through collaborations like this, Hunan's disabled artisans are gaining national recognition, showcasing their…

On the morning of December 3rd, visitors to the National Museum of China (NMC) in Beijing were greeted by long lines well before 8:30 AM. Among the eager crowd, many were there for the museum's popular cultural merchandise: a refrigerator magnet modeled after the "Phoenix Crown," a symbol of imperial China. The product, inspired by the "Empress Dowager Phoenix Crown" from the Ming Dynasty, quickly became a sensation, selling over 530,000 units by late November. What makes this seemingly simple souvenir so special is its craftsmanship. The large and intricate crown design required detailed handwork, with beads meticulously strung one by one. As NMC's Deputy Director of Operations, Liao Fei (廖飞), explained, the magnet's popularity is a testament not just to the ingenuity of modern design but also to the appeal of traditional Chinese culture. For many visitors, the magnet serves as an introduction to the deeper stories embedded in China's vast cultural history. "We hope that people who are drawn to our cultural products will visit our exhibits and develop a greater appreciation for Chinese artifacts," said Liao. The success of the Phoenix Crown magnet shows that cultural creativity can spark curiosity and lead to more meaningful engagement with…

On November 30, 2024, the 2024 China (Beijing) International Ceramic Exhibition officially opened, marking the beginning of a spectacular celebration of ceramic culture in the heart of China's capital. This year's exhibition is not just a showcase of artistic works but also a deep dive into the rich history, tradition, and future of ceramic art in China. With more than 1,000 exhibitors from over 20 major ceramic-producing regions, the event reflects the immense diversity and talent that exists within China's ceramic industry. The exhibition spans a vast array of spaces and features works from ceramic schools, individual artisans, and renowned enterprises, bringing together a comprehensive representation of China's ceramic prowess. As the world's leading ceramic exporter and a country with an unparalleled ceramic heritage, China's ceramic industry continues to push boundaries while maintaining its deep connection to ancient traditions. The 2024 exhibition captures both these aspects, blending modernity and tradition in a stunning display. An Extensive Display of Ceramic Mastery The scale of the exhibition is enormous, with over 1,000 exhibitors presenting a wide range of ceramics, from functional pottery and exquisite porcelain to avant-garde art pieces. A highlight of the event is the participation of over 50 flagship companies…

On November 6, 2024 afternoon, an extraordinary performance unfolded at the National Museum of China as part of the World Classical Studies Conference. This unique showcase, which brought together scholars and enthusiasts from across the globe, celebrated both the depth of Chinese classical arts and the timeless beauty of ancient Western traditions. The performance, organized by the China National Opera and Dance Drama Theater, featured a stunning blend of Chinese classical dance, ancient music, and Greek theatrical masterpieces, creating a bridge of cultural exchange that resonated across centuries. The concert was more than just a performance; it was a testament to the enduring influence of Eastern and Western classical civilizations. Through carefully selecting works that span the breadth of China's 5,000-year civilization and the philosophical legacies of ancient Greece, the event highlighted how these two ancient cultures have shaped the world. The audience was treated to a vivid display of the continuity and evolution of classical thought and artistic expression, creating a dialogue between two civilizations that have long inspired the course of human history. Chinese Classical Philosophy This year marks the 2575th anniversary of Confucius' birth, and the exceptional performance paid tribute to this monumental figure with an original…

Jingdezhen (景德镇), a city steeped in over two thousand years of ceramic history, continues to captivate the world with its unparalleled porcelain craftsmanship. For many international students, this ancient city in Jiangxi Province represents more than just a place to study—it symbolizes a chance to connect with a vital piece of China's cultural heritage. A recent visit by students from Morocco, Mozambique, Kazakhstan, and Iran highlights the global allure of Jingdezhen's porcelain and the profound influence of Chinese traditional arts in fostering cross-cultural understanding. In early November, a group of international students, organized by the Jiangxi International Communication Universities Alliance, travelled to the heart of China's porcelain industry to explore the world of ceramics. Their journey through the China Ceramic Museum and the Imperial Kiln Museum allowed them to witness firsthand the beauty and complexity of Chinese porcelain, which has been an integral part of both Eastern and Western cultural exchanges for centuries. As they strolled through the galleries, they were struck by the intricate designs and the historical significance of the pieces, some of which date back to the Tang Dynasty. "Seeing the porcelain in the museums was like reading a history book," says Song Yiren (宋伊人), a student…

In the world of ancient Chinese art, Qingzhou holds a special place for its distinctive Buddhist sculptures, often described as embodying the "Qingzhou style." These timeless works will soon grace the city of Fuzhou, offering art enthusiasts and spiritual seekers a unique glimpse into the history of Buddhist art in China. From September 28 to December 27, 2024, the "Seeing Smiles: Special Exhibition of Buddhist Sculptures from Ancient Qingzhou" will be held at the Fuzhou Museum, giving visitors the opportunity to witness masterpieces that have shaped Eastern art history. Qingzhou: The Center of Buddhist Artistic Mastery During the late Han dynasty, Buddhism made its way from ancient India to China, and by the Northern and Southern Dynasties (386–589 CE), the religion had firmly established itself. As it flourished, magnificent Buddhist sites such as the Mogao Caves in Dunhuang and the Longmen Grottoes in Luoyang became legendary for their artistic treasures. However, in the eastern region of China, Qingzhou, located in what is today Shandong Province, became a significant hub for Buddhist art with a unique style of its own. In 1996, an archaeological discovery at Longxing Temple in Qingzhou brought global attention to this small city. Over 400 Buddhist sculptures…

In the heart of China's Central Plains, a peculiar phenomenon has unfolded quietly, hidden from mainstream attention. Every year, on certain traditional lunar calendar days, groups of individuals gather to create mesmerizing visual compositions. These arrangements, often constructed from everyday objects like cigarette packs, fruits, instant noodles, and soda bottles, are coupled with colorful watercolor paintings, forming intricate and cryptic patterns that seem to whisper messages of spiritual significance. A Strange but Beautiful Encounter Seven years ago, artist Zhang Xiao first stumbled upon these strange yet beautiful creations. Initially, he couldn't quite decipher their meaning—these seemingly symbolic patterns resembled an alien communication system, mysterious and perplexing. Yet, as he delved deeper, the raw, untamed beauty of the compositions revealed itself, untouched by formal aesthetic education. The art was not a product of technical mastery but rather an instinctive grasp of proportion, balance, and symmetry, as though these creators were channeling some cosmic truth beyond words. In contrast to museum artworks, which have been analyzed and interpreted to exhaustion, these figures struck Zhang with a visceral, almost eerie power. They weren't "art" in the traditional sense but instead felt like a primal force pushing through the mundane, a testament to humanity's…

Nestled amidst the serene bamboo groves and traditional white-walled, blue-tiled houses of the Sichuan countryside lies Daoming (道明) Bamboo Art Village. A mere four years ago, this village, located in Longhuang Village, Daoming Town, Chongzhou, was just one of many ordinary rural settlements in western Sichuan. Today, however, it has transformed into a vibrant cultural hub known far beyond China's borders. Not only does it showcase its rich bamboo weaving heritage, but it has also made a name for itself internationally, representing Chinese rural beauty at events like the Venice Biennale. This transformation is a perfect example of the success of Chengdu's rural revitalization initiative, reflecting a broader vision of creating beautiful, livable, and ecologically balanced spaces. The success of Daoming Bamboo Art Village demonstrates how an underdeveloped rural area can reinvent itself while preserving its cultural roots. The Struggles of a Forgotten Village Before its transformation, Longhuang Village was like many other traditional villages in China—charming but underdeveloped. It was home to a few elderly residents and women, while most of the younger generation had left in search of better opportunities in urban areas. The village's main source of income was bamboo weaving, a craft with roots tracing back…

A Poetic Past in Suzhou's Moonlit Nights More than 1,200 years ago, a young poet found himself in Suzhou on an autumn night, standing by the famous Fengqiao bridge. Mesmerized by the serene beauty of the Jiangnan water town, he penned a timeless verse that would resonate with generations: "The moon sinks, crows cry, frost fills the sky, River maples and fishing lights fill the traveler's sorrow. Outside Gusu City, by Hanshan Temple, The midnight bell reaches my boat." This famous poem by Zhang Ji painted a vivid picture of the cold night in Gusu City (now Suzhou), with its striking moonlit landscapes. Since then, the poem and Suzhou's sights, especially Hanshan Temple and its evening bell, have drawn countless visitors seeking the poetic charm of the city. But this year, Suzhou is offering something different for its Mid-Autumn Festival—a cultural extravaganza that blends history with celebration, transforming the melancholy of the ancient poem into modern-day festivity. Shishan: Suzhou's New Cultural Landmark Shishan (狮山), or Lion Mountain, sits in the western part of Suzhou and is known for its majestic granite slopes. Historically, Shishan was known as the backdrop to Suzhou's tranquil countryside. Today, it's a key cultural site and…

An Evening on the Banks of the Huangpu River As summer gradually transitions to autumn, the symphony of cicadas lingers in the air, blending with the gentle breeze of the Huangpu River. The city lights dance on the water, and at the Shanghai 1862 Art Center, a breathtaking scene unfolds. The theater's walls are partially open, revealing flickering lights that reflect on the river as boats glide by. Against this backdrop, Bai Juyi's timeless poem, Song of the Pipa (琵琶行), comes to life in a performance of Kunqu Opera—a captivating blend of ancient verse and new-age creativity. On the evening of September 7th, the neo-classical Kunqu Opera (昆曲) adaptation of Song of the Pipa premiered, immersing the audience in a poetic journey. The character of Bai Juyi, the poet himself, makes his appearance, embodying the lines of the poem, "The master dismounted, the guest was on the boat, wine was raised, but no music played." What follows is a two-hour performance where characters from Bai Juyi's verse—including the pipa-playing heroine, Qian Niang—grace the stage. The opera traverses through five acts: Splashing Wine, Parting Ways, Reunion, Blindness, and Lingering Echoes. Through these, the ups and downs of Qian Niang's life unfold,…

As traditional Chinese opera grapples with modern trends, it has found a way to bridge the gap between its rich heritage and the tastes of younger audiences. By incorporating innovative elements, Chinese opera is evolving, creating immersive experiences and shedding its "niche" image. The success of productions like The New Dragon Gate Inn (龙门客栈) demonstrates how this transformation is attracting new viewers and helping the art form break free from its historical confines. New Adaptations, New Fans In recent years, Chinese opera troupes have started embracing fresh ideas. Productions such as The New Dragon Gate Inn, a reimagined version of a beloved classic, have successfully integrated contemporary storytelling techniques. The incorporation of interactive elements and modern stage designs has attracted a growing audience, including those previously unfamiliar with opera. One key element of this reinvention is the concept of "immersive theater," where audiences are not merely passive observers but become part of the experience. The play’s lead actress, Xie Jianghui, fondly recalls her first performance in The New Dragon Gate Inn, noting how close she felt to the audience. “I could see their expressions up close, which made the experience nerve-wracking yet exhilarating," she says. Despite the team's uncertainty about…

In today's fast-paced world, many traditional arts are fading into obscurity, replaced by modern innovations. Yet, some artisans remain committed to preserving their craft, ensuring that it survives for future generations. One such individual is Tang Hejia (汤何佳), a 73-year-old master of bamboo and straw weaving, who has devoted his life to the preservation and promotion of this time-honored art. In the small town of Sanzao, Guangdong, Tang Hejia's hands bring bamboo and straw to life, weaving not only practical items but also the dreams of cultural heritage. The Legacy of Bamboo and Straw Weaving in Sanzao For many, memories of childhood include simple bamboo baskets or trays, common household items in rural China. However, in Sanzao (三灶), this weaving tradition has taken on a special significance. Known as the Sanzao Bamboo and Straw Weaving Technique (三灶竹草编织技艺), this craft was officially recognized in 2015 as part of Guangdong's intangible cultural heritage. This honor not only acknowledges the artistry involved but also ensures its preservation for future generations. Bamboo and straw weaving in Sanzao is much more than a craft; it is an embodiment of the region's agricultural and marine cultures. The products, such as crab skeleton baskets, flower trays, and…

Artifacts from ancient civilizations always evoke a sense of wonder and curiosity about the past, providing a glimpse into the stories of long-lost cultures. One such exhibition recently opened in New York, bringing to life the rich history of the Three Yan Kingdoms from China. Titled "Golden Treasures of Longcheng: Selected Artifacts from the Three Yan Kingdoms, 337-436（龙城之金：辽宁三燕文物选萃）", this special autumn exhibition at the China Institute Gallery in New York is showcasing over 100 artifacts from the ancient kingdom of Longcheng (modern-day Chaoyang in Liaoning province). These artifacts tell the story of a civilization that thrived over 1,600 years ago, emphasizing the significance of cultural exchange and the merging of different traditions. A Forgotten Kingdom Rediscovered Curator Hai Weilan, from the China Institute Gallery, expressed her excitement at the opportunity to highlight a relatively unknown period in Chinese history. "This unique exhibition sheds light on the largely forgotten culture of the Three Yan Kingdoms," she noted. For the first time, precious relics from Longcheng are on display in the United States, offering a rare opportunity for viewers to understand the deep cultural exchanges that occurred during that era. The Three Yan Kingdoms, established by the Murong Xianbei people, existed at…

The 2024 Chinese Opera Festival (Kunshan), or "Hundred Opera Festival," officially commenced on the evening of September 5th in Kunshan, Jiangsu Province. As a unique platform for showcasing China’s rich operatic heritage, this event brought together seven esteemed opera artists who delivered a series of mesmerizing performances. Beyond the stage, the festival spilled into local villages with public performances, captivating tourists and opera enthusiasts alike with the diverse appeal of traditional Chinese opera. The event highlighted how Chinese opera is no longer confined to the theater, but has become a bridge between culture, tourism, and everyday life. Kunshan: The Birthplace of Chinese Opera Kunshan (昆山), the birthplace of Kunqu Opera, has long been a hub of traditional Chinese opera culture. Since 2018, the Chinese Opera Festival has been a major platform for the exchange of various opera styles, as well as a venue for the development and training of opera talent. The festival, hosted by the Ministry of Culture and Tourism along with the Jiangsu Provincial Government, continues to foster a vibrant environment for opera artists and enthusiasts to showcase their skills. In his opening remarks, Xia Xinmin, the Vice Governor of Jiangsu, emphasized the province's deep opera heritage, which…

Nestled in the heart of Datong, Shanxi, Shanhua Temple (善华寺) stands as a testament to the architectural brilliance of the Jin and Liao dynasties. Officially known as the Ancient Shanhua Temple, it houses some of China's most significant historical treasures. While Datong's fame is often associated with the Yungang Grottoes and the Huayan Temple, Shanhua Temple quietly holds its own, attracting those who seek the profound beauty of ancient art. Famed architects Liang Sicheng and Lin Huiyin once praised the temple in their Report on Ancient Architecture in Datong, marveling at its preserved relics from the Liao and Jin periods. The temple's main structures—the Shanmen Hall, Sansheng Hall, and Puxian Pavilion—are all masterpieces from the Jin dynasty, while the Daxiong Hall boasts origins in the Liao dynasty. Despite the overshadowing fame of nearby attractions, Shanhua Temple offers a serene and introspective journey through history. The Playful Guardians of Shanmen Hall and Sansheng Hall As you step into Shanhua Temple, the first sight that greets you is the Shanmen Hall (山门殿), home to four Ming dynasty statues of Heavenly Kings. Unlike the typical fierce expressions seen in many temples, these guardians wear unexpectedly friendly and almost playful faces. Among them, the…

Nestled in the tranquil village of Xianghu (湘湖), Jingdezhen (景德镇), a small, unassuming studio serves as both a workspace and a sanctuary for the artist known simply as Youji. The studio, a modest structure with whitewashed walls and concrete floors, blends seamlessly with the local residences, embodying simplicity and authenticity. Inside, the space is a chaotic yet harmonious blend of ceramics, calligraphy, and small oil paintings, all scattered without apparent order. The unadorned nature of the studio reflects the artist’s connection to the raw, untamed beauty of life, which is evident in the open fields visible from the entrance. Youji moved into this studio named “Organic” three years ago, shortly after graduating from Jingdezhen Ceramic Institute in the summer of 2020. Since then, he has crafted thousands of bowls, each one unique in its color and design. His bowls, adorned with muted hues like matte white, deep blue, and faded pink, are more than mere pottery; they are canvases for his spontaneous creativity. The unpredictable glaze patterns and free-flowing lines give each piece a sense of life and movement, making them both functional and artistic. He shares his creations on lifestyle platforms like Xiaohongshu, where they have gained popularity, with…

In the heart of Fujian Province, nestled in the city of Fu'an, lies a village where a centuries-old tradition still thrives—Guanpu (官浦), the birthplace of the exquisite Guanpu Oil Paper Fan. Before the era of electric fans and air conditioning, these fans were an indispensable companion for the people of Fujian and the surrounding regions, providing not just relief from the summer heat but also a connection to their cultural heritage. Though many artisans abandoned the craft in the late 20th century, today, Guanpu Oil Paper Fans are experiencing a revival, celebrated as symbols of craftsmanship, culture, and cool, refreshing breezes. The significance of these fans extends beyond their functional use. They represent a bridge between the past and the present, a tangible link to a way of life that has largely been lost in the rush of modernization. In a time when so much of our world is dominated by mass production and disposable goods, the meticulous handcrafting of a Guanpu Oil Paper Fan serves as a reminder of the value of patience, skill, and tradition. The Craftsmanship Behind the Fan The creation of a Guanpu Oil Paper Fan is a labor of love, involving over 36 meticulous steps…