Dior has once again incorporated Chinese velvet flower craftsmanship into its designs, this time on a brimless cap showcased at Paris Fashion Week. This move, while seen as a tribute to Chinese aesthetics, has reignited discussions about cultural appropriation and the importance of preserving traditional Chinese crafts.
Velvet flowers, known as Ronghua (绒花) in Chinese, have a rich history dating back centuries. Initially popularized during the Tang and Song dynasties, these intricate silk flowers became a staple in both imperial courts and folk traditions. Their use in festivals, weddings, and daily adornment reflects the Chinese love for floral symbolism and auspicious meanings.
Historically, velvet flower production flourished in cities like Nanjing and Yangzhou, where silk waste from brocade manufacturing provided ample material. Artisans developed regional styles: southern Ronghua favored bold colors, while northern versions leaned towards dignified hues like imperial red.
Modern challenges face this traditional craft. While appearing in period dramas and international events like the Winter Olympics has revived interest, mass-produced alternatives threaten the survival of authentic handmade Ronghua. Each genuine piece still requires ten meticulous steps over two days of labor-intensive work.
The Dior controversy highlights a broader issue: as global brands increasingly adopt Chinese elements, domestic designers must actively innovate with their cultural heritage. Only by making traditional crafts relevant to contemporary fashion can China ensure its cultural treasures remain vibrant and protected.
